1.

Record Nr.

UNINA9910788087403321

Autore

Stapleton Anne McKee

Titolo

Pointed encounters : dance in post-Culloden Scottish literature / / Anne McKee Stapleton

Pubbl/distr/stampa

New York ; ; Amsterdam, Netherlands : , : Rodopi, , 2014

©2014

ISBN

94-012-1111-6

Descrizione fisica

1 online resource (219 p.)

Collana

Scottish Cultural Review of Language and Literature ; ; Volume 23

Disciplina

820.994109033

Soggetti

Scottish literature - 18th century - History and criticism

Collective memory - Scotland - 19th century

Folk dancing, Scottish - Scotland - In literature - 18th century - History and criticism

Collective memory - Scotland - 18th century

Scottish literature - 19th century - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Preliminary Material -- Acknowledgements -- Introduction -- The Strathspey as National Expression in Eighteenth-Century Song and Poetry -- Masterful Narratives: Policing the Public Body and Positioning the Practice of National Dance -- Choreographing Character, 1814-1815: The New Scottish Novels of Walter Scott and Christian Isobel Johnstone -- Unauthorised Women in Scottish Novels, 1814-1824: Social Dance, Fictional Outings, and National Concerns -- Epilogue -- Bibliography -- Index -- 18th- and 19th-century scottish literature.

Sommario/riassunto

Pointed Encounters establishes the literary significance of representations of dance in poetry, song, dance manuals, and fiction written between 1750 and 1830. Presenting original readings of canonical texts and fresh readings of neglected but significant literary works, this book traces the complicated role of social dancing in Scottish culture and identifies the hitherto unexplored motif of dance as an outwardly conforming, yet covertly subversive, expression of Scottish identity during the period. The volume draws upon diverse yet mutually revealing texts, from traditional dance and music to Sir Walter



Scott and contemporary Scottish women novelists, to offer students and scholars of Scottish and English literature a fresh insight into the socio-cultural context of the British state after 1746.