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1. |
Record Nr. |
UNINA990004337240403321 |
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Autore |
De Filippo, Eduardo <1900-1984> |
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Titolo |
Cantata dei giorni pari / Eduardo De Filippo |
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Pubbl/distr/stampa |
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ISBN |
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Edizione |
[9. ed.] |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910131387603321 |
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Autore |
Gouyon Marie |
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Titolo |
Les femmes dans la création audiovisuelle et de spectacle vivant : Les auteurs de la SACD percevant des droits en 2011 / / Marie Gouyon |
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Pubbl/distr/stampa |
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Paris, : Département des études, de la prospective et des statistiques, 2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (16 p.) |
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Soggetti |
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Arts & Humanities |
Business |
emploi culturel |
féminisation |
spectacle |
SACD |
INSEE |
inégalités |
cultural employment |
feminization |
INSEE (National Institute of statistics and economic studies) |
performing art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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En 2011, les femmes représentent 29 % des auteurs de la SACD et reçoivent 24 % des droits versés. Une femme perçoit ainsi, en 2011, un revenu moyen inférieur de 24 % à celui d’un homme. Les écarts de droits versés entre femmes et hommes trouvent plusieurs éléments d’explication : les femmes participent à moins d’œuvres que les hommes, en particulier dans le cinéma, le théâtre et les arts de la rue. Elles n’exercent pas non plus les mêmes fonctions, et sont ainsi plus souvent auteurs de texte ou chorégraphes que réalisatrices ou compositrices. À discipline et fonction égales, les écarts de rémunération sont pratiquement inexistants dans la radio et la télévision, mais subsistent dans le cinéma et le spectacle vivant : ces écarts persistants peuvent être liés à d’autres facteurs comme, par exemple, une fréquentation des spectacles ou une programmation des œuvres moins importante, dans des lieux de représentation ou sur des canaux de diffusion différents et à des horaires moins favorables. In 2011, women represented 29% of SACD authors and received 24% of the royalties paid. As a result, in 2011, a woman received an average income 24% less than that for a man. The differences in royalties between men and women can be explained in several ways: women participate in fewer works than men, in particular in the cinema, theatre and street arts. Neither do they perform the same functions, and so are more often text authors or choreographers than directors or composers. For the same discipline and function the differences in remuneration are practically non-existent in radio and television, but live on in cinema and live shows: these persistent differences can be linked to other factors, such as, for example, lower audience numbers or programming of works, in different performance venues or on different distribution channels and at less favourable times. |
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3. |
Record Nr. |
UNINA9910787948003321 |
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Autore |
Gray Larissa |
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Titolo |
Few and far : the hard facts on stolen asset recovery / / Larissa Gray, Kjetil Hansen, Pranvera Recica-Kirkbride, Linnea Mills |
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Pubbl/distr/stampa |
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Washington, DC : , : International Bank for Reconstruction and Development/The World Bank : , : OECD, , [2014] |
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2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (xiii, 76 pages) : illustrations, maps ; ; 26 cm |
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Collana |
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Stolen asset recovery (StAR) series |
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Disciplina |
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Soggetti |
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Corruption - Developing countries |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters. |
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Sommario/riassunto |
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Corruption has a devastating impact on developing and transition countries, with estimates of 20 billion to 40 billion per year stolen by public officials, a figure equivalent to 20 to 40 percent of flows of official development assistance. The return of the proceeds of corruption--asset recovery--can have a significant development impact. Returns can be used directly for development purposes, such as improvements in the health and education sectors and reintegration of displaced persons, with additional benefits of improved international cooperation and enhanced capacity of law enforcement an |
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