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1. |
Record Nr. |
UNINA9910461517803321 |
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Autore |
Ohana David |
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Titolo |
The origins of Israeli mythology : neither Canaanites nor crusaders / / David Ohana ; translated by David Maisel [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2012 |
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ISBN |
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1-107-22975-8 |
1-139-20995-7 |
1-280-48527-2 |
1-139-22289-9 |
9786613580252 |
1-139-21809-3 |
1-139-22461-1 |
1-139-21500-0 |
1-139-22117-5 |
1-139-01344-0 |
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Descrizione fisica |
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1 online resource (ix, 266 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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National characteristics, Israeli |
Jews - Israel - Identity |
Israel Social life and customs |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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1. Introduction -- 2. The Promethean Hebrew -- 3. The Canaanite challenge -- 4. The nativist theology -- 5. The crusader anxiety -- 6. The Mediterranean option -- 7. Epilogue: looking out to sea. |
Machine generated contents note: 1. Introduction; 2. The Promethean Hebrew; 3. The Canaanite challenge; 4. The nativist theology; 5. The crusader anxiety; 6. The Mediterranean option; 7. Epilogue: looking out to sea. |
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Sommario/riassunto |
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It is claimed that Zionism as a meta-narrative has been formed through contradiction to two alternative models, the Canaanite and crusader narratives. These narratives are the most daring and heretical assaults on Israeli-Jewish identity. The Israelis, according to the Canaanite |
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narrative, are from this place and belong only here; according to the crusader narrative, they are from another place and belong there. The mythological construction of Zionism as a modern crusade describes Israel as a Western colonial enterprise planted in the heart of the East and alien to the area, its logic and its peoples. The nativist construction of Israel as neo-Canaanism demands breaking away from the chain of historical continuity. These are the greatest anxieties that Zionism and Israel needed to encounter and answer forcefully. The Origins of Israeli Mythology seeks to examine the intellectual archaeology of Israeli mythology, as it reveals itself through the Canaanite and crusader narratives. |
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2. |
Record Nr. |
UNINA9910787885303321 |
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Autore |
Vander Lugt Wesley <1981-> |
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Titolo |
Living theodrama : reimagining theological ethics / / Wesley Vander Lugt ; with a foreword by Sam Wells |
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Pubbl/distr/stampa |
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Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 |
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{phono}℗♭2014 |
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ISBN |
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1-315-59280-0 |
1-317-10393-9 |
1-317-10392-0 |
1-4724-1944-8 |
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Descrizione fisica |
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1 online resource (256 p.) |
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Collana |
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Ashgate studies in theology, imagination, and the arts |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Christian ethics |
Theater - Religious aspects - Christianity |
Performing arts - Religious aspects - Christianity |
Religion and drama |
Christianity and the arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Cover; Contents; List of Figures; Foreword; Acknowledgments; List of Abbreviations; 1 Prologue to a Theatrical Theology; 2 Practicing |
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Theodramatics: Formation and Performance; 3 Playwrights, Protagonists, Producers, and Trinitarian Theodramatics; 4 Scripts, Plots, and Biblical Theodramatics; 5 Companies, Characters, and Ecclesial Theodramatics; 6 Repetition, Innovation, and Traditional Theodramatics; 7 Audiences, Interaction, and Missional Theodramatics; 8 Environments, Places, and Contextual Theodramatics; Epilogue; Bibliography; Index; Scripture Index |
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Sommario/riassunto |
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Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields. |
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