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1. |
Record Nr. |
UNISOBSOBE00050943 |
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Autore |
D'Elia, Salvatore |
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Titolo |
Da Seneca a Marco Aurelio / Salvatore D'Elia |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910787782203321 |
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Titolo |
The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon |
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Pubbl/distr/stampa |
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New York : , : Bloomsbury Academic, , 2013 |
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ISBN |
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1-4725-3361-5 |
1-4725-2316-4 |
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Descrizione fisica |
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1 online resource (281 p.) |
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Disciplina |
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Soggetti |
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Art museums - Philosophy |
Curatorship - Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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HalfTitle; Series; Title; Copyright; Contents; Illustrations; Preface; Notes on Contributors; Introduction; Part I Send-Offs; 1 On the Curatorial, From the Trapeze; AZ; BY; CX; DW; EV; FU; GT; HS; IR; JQ; KP; LO; MN; 2 Theses in the Philosophy of Curating1; Gift; Embodied knowledge; The other of narrative; Spacing; Mapping and playing chess; Send-Off; Warrior of the imaginary; A place that isn't one; The ignorant body; |
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Thought; 3 Whence the Future?; 4 The Expanding Field; What on earth do they mean?; The limits of multiplicity; Contemporaneity as infrastructure; 5 Dear Art, Yours Sincerely |
Part II Praxeologies6 The Curator Crosses the River: A Fabulation; 7 Becoming-Curator; The event of becoming a curatorial subject; Truth - Knowledge; Three moves; Conclusion; 8 An Exhausted Curating; 9 Eros, Plague, Olfaction: Three Allegories of the Curatorial; Autistic doxology; Eros: Sensual epistemology; Plague: Affective contagion; Olfaction: Being sense; Operative play; Part III Moves; 10 The Task at Hand: Transcending the Clamp of Sovereignty; 11 The Simple Operator; Foreword; The rise up; Crossing over; The other; An example of beginning; Naming; The setting down |
12 Three Short Takes on the CuratorialBlinding; Inhibiting; Symptom; 13 Aku menjadi saksi kepada - What I am Thinking; 14 Betrayal and the Curatorial - A Testimony for the Committee on the Curatorial; Part IV Heresies; 15 A Conspiracy without a Plot; The accomplice; The undercommons; The police; Study; Invocation; Care; Complicit love; 16 What does a Question Do? Micropolitics and Art Education; 17 Being Able to Do Something; A decided 'perhaps'; A question mark within; Critical agency; 18 The Politics of Residual Fun; The art of conversation; Technologies of fun; Part V Refigurations |
19 Modern Art: Its Very Idea and the Time/Space of the Collection20 Two Invoking Media: Radio and Exhibition; 21 In Unfamiliar Terrain: Preliminary Notes towards Site-Relationality and the Curatorial; Report on Balikci Denjongpa's project; Report on the Alien Nation Project: The dynamics of community; Site-relationality: Map-making as gesture; Summation: Conflict and endless overlaps of disciplinary thoughts; 22 Curating Ghostly Objects: Counter-Memories in Cinematic Space; Introduction: The curatorial mode of filmmaking; Exhibiting warchitecture: Borders as sites of catastrophic memories |
Curating soundscapes: Remembering the polyvocal/multilingual societyPerforming counter-narratives: Reminiscing unofficial histories; Conclusion; 23 Non-Museums; Srinagar, 1963; Kassel, 2012; National Art Gallery, Islamabad, 2007; Toba Tek Singh, 1948 or 1949; Part VI Stages; 24 Curating, Dramatization and the Diagram: Notes towards a Sensible Stage; 25 Curating Context; Coda: Your Apples Fall Into My Garden: Two Takes on Context; 26 Backstage and Processuality: Unfolding the Installation Sites of Curatorial Projects; Processual notions; Call for materialism; Unfolding installation sites |
27 This Is Not About Us |
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Sommario/riassunto |
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Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between ''curating'' and ''the curatorial''. If ''curating'' is a gamut of professional practices for setting up exhibitions, then ''the curatorial'' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead |
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3. |
Record Nr. |
UNINA9910337953003321 |
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Autore |
Rosso Renzo |
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Titolo |
The decline and renaissance of universities : moving from the big brother university to the slow university / / by Renzo Rosso |
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Pubbl/distr/stampa |
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Cham, Switzerland : , : Springer International Publishing : , : Imprint : Springer, , 2019 |
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Edizione |
[1st ed. 2019.] |
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Descrizione fisica |
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1 online resource (XI, 115 p. 1 illus.) |
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Disciplina |
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Soggetti |
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Life sciences |
Education, Higher |
Education and state |
Education—History |
Philosophy and social sciences |
Education |
Popular Life Sciences |
Higher Education |
Educational Policy and Politics |
History of Education |
Philosophy of Education |
Popular Science in Education |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Introduction -- The Resistible Rise of Utilitarian University -- The Big Brother University -- The Fall of the Utilitarian Model -- The Renaissance of Universities -- Conclusion. |
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Sommario/riassunto |
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Instead of following the Magna Charta Universitatum, the declaration of the principles of knowledge signed in 1988 in Bologna, the academic approach pursued in Europe and the other continents over the past 30 years has strictly employed a utilitarian model of higher education. This jeopardizes academic freedom, shared governance and tenure, the three pillars of the long-established model of universities. Scientific |
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conformism and fragmentation, educational bias and authoritarianism are the major drawbacks, together with a poor readiness to meet the emerging challenges in the labor market and technology. In this book, Renzo Rosso presents a new model for countering these developments, e.g. by establishing novel democratic rules for university governance. The Slow University paradigm positions culture and education as essential tools for the long-term survival of humankind. |
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