1.

Record Nr.

UNINA9910787598503321

Autore

Andrews Jennifer Courtney Elizabeth <1971->

Titolo

In the belly of a laughing god : humor and irony in Native women's poetry / / Jennifer Andrews

Pubbl/distr/stampa

Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2011

©2011

ISBN

1-4426-6184-4

1-4426-5772-3

Descrizione fisica

1 online resource (320 p.)

Collana

Heritage

Disciplina

C811.540917

Soggetti

American poetry - Indian authors - History and criticism

American poetry - Women authors - History and criticism

American poetry - 20th century - History and criticism

Humor in literature

Irony in literature

Indianer

USA

Kanada

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction -- Spiritual transformations -- Generic transformations -- Histories, memories, and the nation -- Haunting photographs, revisioning families -- Space, place, land, and the meaning(s) of home -- Conclusion : intertextual conversations.

Sommario/riassunto

"In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States, Joy Harjo, Louise Halfe, Kimberly Blaeser, Marilyn Dumont, Diane Glancy, Jeannette Armstrong, Wendy Rose, and Marie Annharte Baker, employ humour and irony to address the intricacies of race, gender, and nationality. While recognizing that humour and irony are often employed as methods of resistance, this ... analysis also acknowledges the ways in which they can be used to assert or restore order. Using the framework



of humour and irony, five themes emerge from the words of these poets: spiritual transformations; generic transformations; history, memory, and the nation; photography and representational visibility; and land and the significance of 'home.' Through the double-voice discourse of irony and the textual surprises of humour, these poets challenge hegemonic renderings of themselves and their cultures, even as they enforce their own cultural norms."--Jacket