Opening Science [[electronic resource] ] : The Evolving Guide on How the Internet is Changing Research, Collaboration and Scholarly Publishing / / edited by Sönke Bartling, Sascha Friesike

• Record Nr.: UNISA996198770203316
• Autore: Bartling Sönke
• Pubbl/distr/stampa: Cham, : Springer Nature, 2014; Cham : , : Springer International Publishing : , : Imprint : Springer, , 2014
• ISBN: 3-319-00026-8
• Edizione: [1st ed. 2014.]
• Descrizione fisica: 1 online resource (325 pages) : illustrations
• Disciplina: 004.6780245
• Soggetti: Engineering—Vocational guidance; Computers and civilization; Communication; Job Careers in Science and Engineering; Computers and Society; Communication Studies
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Bibliographic Level Mode of Issuance: Monograph
• Nota di bibliografia: Includes bibliographical references at the end of each chapters.
• Nota di contenuto: Towards Another Scientific Revolution -- Open Science: One Term, Five Schools of Thought -- Excellence by Nonsense: The Competition for Publications in Modern Science -- Science Caught Flat-footed: How Academia Struggles with Open Science Communication -- Open Science and the Three Cultures: Expanding Open Science to All Domains of Knowledge Creation -- (Micro)blogging Science? Notes on Potentials and Constraints of New Forms of Scholarly Communication -- Academia Goes Facebook? The Potential of Social Network Sites in the Scholarly Realm -- Reference Management -- Open Access: A State of the Art -- Novel Scholarly Journal Concepts -- The Public Knowledge Project: Open Source Tools for Open Access to Scholarly Communication -- Altmetrics and Other Novel Measures for Scientific Impact -- Dynamic Publication Formats and Collaborative Authoring -- Open Research Data -- Intellectual Property and Computational Science -- Research Funding in Science 2.0 -- Open Innovation and ; Crowdsourcing in the Sciences -- The Social Factor in Open Science -- Case: Creative Commons -- Case: Collaborative Authoring using Google Documents and Cloud Software -- Case: Unique Identity for a Researcher -- Case: Challenges in Open Data in Medical Research -- Case: On the Sociology of Science 2.0 -- Case: How This Book Was Created Using Collaborative Text Editing -- Case: History 2.0 -- Case: Making Data Citeable: Datacite.
• Sommario/riassunto: Modern information and communication technologies, together with a cultural upheaval within the research community, have profoundly changed research in nearly every aspect. Ranging from sharing and discussing ideas in social networks for scientists to new collaborative environments and novel publication formats, knowledge creation and dissemination as we know it is experiencing a vigorous shift towards increased transparency, collaboration and accessibility. Many assume that research workflows will change more in the next 20 years than they have in the last 200. This book provides researchers, decision makers, and other scientific stakeholders with a snapshot of the basics, the tools, and the underlying visions that drive the current scientific (r)evolution, often called ‘Open Science.’.

Poems for the millennium [[electronic resource] ] : the University of California book of romantic & postromantic poetry / / edited with commentaries by Jerome Rothenberg and Jeffrey C. Robinson

• Record Nr.: UNINA9910787558203321
• Pubbl/distr/stampa: Berkeley, : University of California Press, 2009
• ISBN: 9786612360657; 1-282-36065-5; 0-520-94220-5
• Descrizione fisica: 1 online resource (957 p.)
• Altri autori (Persone): RothenbergJerome <1931->; RobinsonJeffrey C
• Disciplina: 808.81
• Soggetti: Poetry, Modern; Poetry
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and indexes.
• Nota di contenuto: Poems for the Millennium, Volume Three -- Front matter -- CONTENTS -- INTRODUCTION -- THANKS & ACKNOWLEDGMENTS -- PRELUDIUM -- THE SOCIAL CONTRACT -- THE SPIRITUAL DIARY -- RAMEAU'S NEPHEW: AN IMPROVISATION -- JUBILATE AGNO -- THE LOVES OF THE PLANTS -- OSSIAN: THE SONGS OF SELMA -- JULIETTE , OR VICE AMPLY REWARDED -- FOUR CAPRICHOS -- PROMETHEUS -- THE ROWLEY POEMS -- SEVEN ANCIENT MONUMENTS. Map of Rudhall and Redcliff Wall -- A LETTER TO THE WOMEN OF ENGLAND ON THE INJUSTICE OF MENTAL SUBORDINATION -- AMERICA A PROPHECY: PRELUDIUM -- A FIRST GALLERY. From Goethe & Blake to Solomos & Pushkin -- MIGNON'S SONG -- [Epigraph] Letter to Thomas Butts, 22 November 1802 from Songs of Innocence and of Experience -- THE NOTEBOOKS: 1789-1794 -- A LONDON SUMMER MORNING -- A RED, RED ROSE -- FIRST FLOWER-PIECE -- CORINNE'S IMPROVISATION IN THE NAPLES COUNTRYSIDE -- I ONCE ASKED THE MUSE -- LINES WRITTEN IN EARLY SPRING -- THE GRASMERE JOURNALS -- Novalis -- [Epigraph] "The heart should have fed" -- THE THEORY OF THE FOUR MOVEMENTS -- DREAM-FUGUE: ON THE THEME OF SUDDEN DEATH -- DARKNESS -- ; ELEVEN ROMAN SONNETS: FOR THE POPE -- SONG FROM PROMETHEUS UNBOUND -- SOME ASIAN POETS -- Prologue -- FIFTEEN HAIKU -- AUTUMN LANDSCAPE -- FOR THE COURTESAN CH'ING LIN -- BEFORE THERE WAS A HINT OF CIVILIZATION -- I AM: A SONNET & A VARIATION -- BUTTERFLIES, LINEATED -- EZRA POUND, AFTER HEINE -- CRIMEAN SONNETS -- L'INFINITO -- THE DESTRUCTION OF PSARA -- THE EMPEROR NICHOLAS I -- A BOOK OF ORIGINS -- PROLOGUE -- THE MARRIAGE OF HEAVEN AND HELL -- THE EGYPTIAN BOOK OF THE DEAD -- PISTIS SOPHIA: O LIGHT OF LIGHTS -- TWO FROM SANSKRIT -- THE RUBAIYAT OF OMAR KHAYYAM -- RIG VEDAAMERICANUS: TWO FOR THE GODDESS -- SONG OF THE OWL -- THE NIGHT CHANT -- SIR PATRICK SPENCE -- HOMER'S HYMN TO THE MOON -- A POEM FOR THE GODDESS HER CITY & THE MARRIAGE OF HER SON & DAUGHTER -- HANES TALIESIN / THE TALE OF TALIESIN -- FRITHIOF'S SAGA -- Christmas Gysarts [Mummers] Play from Bowden -- NEGRO SPIRITUALS -- SONG OF THE BALD MOUNTAIN WITCHES & MAGIC NYMPHS -- FIVE DREAM WORKS, FROM COLERIDGE TO FREUD -- The Notebooks -- The King of Cats, a Ghost Narrative -- Aurelia, or Dream and Life -- Lenz -- The Dream-Work -- THE ORIGIN OF SPECIES -- A SECOND GALLERY. From Hugo & Lönnrot to Swinburne & Mallarmé -- THE GRAVE AND THE ROSE -- KALEVALA -- DREAM OF DYING -- TWO SONNETS, FOR GEORGE SAND -- GASPARD DELA NUIT: PREFACE AND SIX POEMS -- PANORAMA -- DAYS -- SONNET-SILENCE -- "FLOWER IN THE CRANNIED WALL" -- "HEAP CASSIA, SANDAL-BUDS AND STRIPES" -- EIGHT LIMERICKS -- THE ILLEGIBLE LETTER -- SOME OUTSIDER POETS -- Prologue -- I AM RAIFTEIRÍ -- Anonymous Revolutionary Pamphlet from The First Book of the American Chronicles of the Times -- HISTORY OF NEZ PERCÉ INDIANS FROM 1805 UP TO THE PRESENT TIME, 1880 -- DEATHS ON THREE-MILE CREEK: 1841-1915 -- THE BOASTING DRUNK IN DODGE [1883] -- THE SONG OF THE LOW -- THE PURGATORY OF SUICIDES, A PRISON-RHYMEINTENBOOKS -- THE STRANGE EFFECTS OF FAITH -- THE HONEST FARMER'S DECLARATION [1853] -- MY DEMON -- FRAGMENT FROM "THE SLEEPERS" -- LINES-AFTER SHAKESPEARE -- THE SPHINX -- CORRESPONDENCES -- THE MADMAN -- DANTE'S NEW LIFE: HIS PITIFUL SONG -- #1249 -- MY DREAM -- O GUESA ERRANTE: THE WALL STREET INFERNO -- JUDITH -- SECOND CHORUS FROM ATALANTA IN CALYDON -- "CETTE ADORABLE BAGUE" -- A BOOK OF EXTENSIONS -- PROLOGUE -- LAOCOÖN -- Two Shaker Vision Drawings -- LETTERS TO EVELYN BARING -- CONCRETE POEM: A MOUSE -- CALLIGRAMS: THE BLEEDING-HEART DOVE AND THE FOUNTAIN -- JABBERWOCKY -- The Shakers -- HOLY TRINITY NIGHT: THE NIGHT IN GALE'S SONG -- CHARCOAL MAN -- A RAILWAY OF RHYME -- DEFORMATIONS -- VOWELS & COLORS -- WRITING ASLANT -- THREE SYLLOGISMS -- WORDS -- IMPROVISATION: CONTADINI AND IMPROVISATORI -- A TELEGRAPH HARP [1851] -- THÈMES ANGLAIS: INDEFINITE ARTICLES -- THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENTLEMAN -- THREE ALPHABETS -- Jubilate Agno -- A Hieroglyphic Alphabet -- The Poetical Alphabet -- SADAKICHI'S 1895 LIGHT SHOW -- A THIRD GALLERY. From Hopkins & Nietzsche to Yosano & Apollinaire -- STAR IMAGES: SEPTEMBER TO DECEMBER 1864 -- OEDIPUS: SOLILOQUIES OF THE LAST PHILOSOPHER -- CHANSON D'AUTOMNE -- [Epigraph] "I replace melancholy with courage" -- UNDATED FRAGMENT -- MORNING OF DRUNKENNESS -- [Epigraph] "Dans la pièce les femmes vont et viennent" -- SOME ORIENTALISMS -- Prologue -- THEBOOK OF LOS: ASIA -- ARABIAN BALLAD -- THE GIAOUR: LEILA AS GAZELLE -- LES ORIENTALES: BOUNABERDI -- BRAHMA -- PASSAGE TO INDIA -- L'INVITATION AU VOYAGE -- STELAE: ROADSIDE STELAE -- SIX FROM PHANTASUS -- NOCTURNE III -- I LOOK ; -- IN THE LAND OF ALLEGORY -- EXPLOITS AND OPINIONS OF DOCTOR FAUSTROLL, PATAPHYSICIAN -- THE MAKING OF AMERICANS -- SIX POEMS -- ORPHEUS, EURYDICE, AND HERMES -- THE WOMAN -- MANIFESTOS & POETICS -- TOWARD A WORLD LITERATURE -- THE MARRIAGE OF HEAVEN AND HELL: REASON AND ENERGY -- ON THE DIFFERENCE OF POETIC MODES -- ADVERTISEMENT FOR LYRICAL BALLADS -- SHAKSPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA, AND THE STAGE -- ATHENAEUM FRAGMENT 116 -- A DEFENCE OF POETRY -- TO RICHARD WOODHOUSE, 27 OCTOBER 1818 -- JOURNEY FROM MUNICH TO GENOA -- PREFACE TO CROMWELL -- THE POET -- PREFACE TO LEAVES OF GRASS -- THE PAINTER OF MODERN LIFE -- NOTES FROM UNDERGROUND -- LETTER TO THOMAS WENTWORTH HIGGINSON -- THE RENAISSANCE: STUDIES IN ART AND POETRY -- CRISIS IN VERSE -- POETRY AND VERSE -- LETTER TO PAUL DEMENY, MAY 15, 1871 -- AN ARCHAIC TORSO OF APOLLO -- CREDITS -- FIGURE CREDITS -- INDEX OF AUTHORS
• Sommario/riassunto: The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism.