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Record Nr. |
UNINA9910787544603321 |
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Autore |
Terhune Anne Gregory |
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Titolo |
Thomas Hovenden : his life and art / / Anne Gregory Terhune with Patricia Smith Scanlan ; foreword by Elizabeth Johns |
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Pubbl/distr/stampa |
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Philadelphia : , : University of Pennsylvania Press, , 2006 |
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©2006 |
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ISBN |
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Descrizione fisica |
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1 online resource (xv, 276 pages) : illustrations (some color) |
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Altri autori (Persone) |
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HovendenThomas <1840-1895.> |
ScanlanPatricia Smith |
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Disciplina |
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Soggetti |
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Genre painting, American - 19th century |
Painters - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"A Barra Foundation book." |
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Nota di bibliografia |
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Includes bibliographical references (p. [193]-267) and index. |
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Nota di contenuto |
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Front matter -- CONTENTS -- Publisher's Note -- Illustrations -- Foreword / Johns, Elizabeth -- Chapter 1. Becoming an Artist -- Chapter 2. From "Picturesque" Brittany to Paris -- Chapter 3. "What Shall American Artists Paint?" -- Chapter 4 Painting the "Good Ole Times" -- Chapter 5. Images to "Appeal to the National Mind" -- Chapter 6. Home Life -- Conclusion -- Notes -- Index |
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Sommario/riassunto |
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After studying under Alexandre Cabanel at the École des Beaux Arts, Thomas Hovenden (1840-95) began an exemplary career as a painter and teacher at the Pennsylvania Academy of the Fine Arts. Along with his contemporaries there, Thomas Eakins and Thomas Anschutz, Hovenden acquired a reputation for being both an influential instructor and a talented artist. A realistic genre painter and recorder of everyday activities such as those involving home and family, Hovenden had a particular gift for choosing subjects with wide recognition and appeal. His work reflects a Victorian ethos; unlike many artists of the time, however, Hovenden's work featured African American subjects in domestic settings. His firm belief in sentiment and beauty as the goals of artistic pursuits is evident in the nostalgic paintings for which he is best known, such as The Last Moments of John Brown, in which Brown |
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is depicted stopping on his way to the gallows to kiss a young black child. This first full-length study fosters a greater understanding of Hovenden's gifts as a painter and of his stylistic contribution to art. Chronologically organized, it is both a retrospective of Hovenden's work and a critical biography of the artist. The volume features many of his paintings, studies, and sketches, some reproduced for the first time. A Barra Foundation Book |
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