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1. |
Record Nr. |
UNISA990003029360203316 |
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Titolo |
1. : Scholia ad Dialogos tetralogiarum : 1.-7. continens / edidit Domenico Cufalo |
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Pubbl/distr/stampa |
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Roma : Edizioni di storia e letteratura, 2007 |
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ISBN |
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Descrizione fisica |
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Collana |
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Disciplina |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910459228703321 |
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Autore |
Roark Tony |
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Titolo |
Aristotle on Time : A Study of the Physics / / Tony Roark [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2011 |
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ISBN |
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1-107-22057-2 |
1-139-01249-5 |
1-283-01714-8 |
9786613017147 |
1-139-00941-9 |
1-139-00994-X |
1-139-00779-3 |
1-139-00668-1 |
0-511-75366-7 |
1-139-00889-7 |
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Descrizione fisica |
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1 online resource (xiii, 232 pages) : digital, PDF file(s) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Introduction -- PART I. TIMES NEW AND OLD: 1. McTaggart's systems; 2. Countenancing the Doxai -- PART II. THE MASTER OF TIME: MOTION: 3. Time is not motion; 4. Aristotelian motion; 5. "The before and after in motion" -- PART III. THE FORM OF TIME: PERCEPTION: 6. Number and perception; 7. On a moment's notice; 8. The role of imagination; 9. Time and the common perceptibles; 10. The hylomorphic interpretation illustrated -- PART IV. SIMULTANEITY AND TEMPORAL PASSAGE: 11. Simultaneity and other temporal relations; 12. Temporal passage; 13. Dissolving the puzzles of IV.10; 14. Concluding summary and historical significance. |
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Sommario/riassunto |
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Aristotle's definition of time as 'a number of motion with respect to the before and after' has been branded as patently circular by commentators ranging from Simplicius to W. D. Ross. In this book Tony |
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Roark presents an interpretation of the definition that renders it not only non-circular, but also worthy of serious philosophical scrutiny. He shows how Aristotle developed an account of the nature of time that is inspired by Plato while also thoroughly bound up with Aristotle's sophisticated analyses of motion and perception. When Aristotle's view is properly understood, Roark argues, it is immune to devastating objections against the possibility of temporal passage articulated by McTaggart and other 20th-century philosophers. Roark's novel and fascinating interpretation of Aristotle's temporal theory will appeal to those interested in Aristotle, ancient philosophy and the philosophy of time. |
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3. |
Record Nr. |
UNINA9910787434303321 |
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Titolo |
An early hautboy solo matrix : solos for the hautboy before 1710 based on a symphonia/sonata by Johann Christoph Pez that demonstrates a performance practice of adaptation / / edited and introduced by Peter Hedrick |
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Pubbl/distr/stampa |
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Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2015 |
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©2015 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (93 p.) |
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Disciplina |
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Soggetti |
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Music - 17th century |
Music - 18th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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""TABLE OF CONTENTS""; ""ACKNOWLEDGEMENTS""; ""PART I""; ""CHAPTER ONE""; ""CHAPTER TWO""; ""CHAPTER THREE""; ""CHAPTER FOUR""; ""CHAPTER FIVE""; ""CHAPTER SIX""; ""SOURCES""; ""EDITORIAL METHODS""; ""APPENDICES ""; ""BIBLIOGRAPHY""; ""NOTES""; ""PART II ""; ""Johann Christoph Pez, Symphonia""; ""Johann Heinrich Schmelzer, Sonata Quinta""; ""Reinhard Keiser, Music in Der Beliebte Adonis""; |
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""Daniel Purcell, Sonata Sexta""; ""Arcangelo Corelli, Sonata, Op. 5, No. 7""; ""CRITICAL NOTES"" |
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Sommario/riassunto |
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The earliest surviving hautboy solo is a Symphonia by Johann Christoph Pez from the 1690's or early 1700's. This piece survives in two versions, as a Sonata for violin and a Symphonia for hautboy, and the differences between the two enable a comparison of how Pez viewed the character and technical capabilities of each instrument. The purpose of this edition is to show how Pez's Symphonia can be used as a template to find other works that might become hautboy solos (treble/bass) from the last third or so of the seventeenth century when the instrument came into use. Thus Pez points the way |
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