|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910787408903321 |
|
|
Titolo |
Early cinema today : the art of programming and live performance / / edited by Martin Loiperdinger |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New Barnet, Herts, United Kingdom : , : John Libbey Publishing, , [2012] |
|
©2012 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (267 p.) |
|
|
|
|
|
|
Collana |
|
KINtop. Studies in early cinema ; ; volume 1 |
|
|
|
|
|
|
Soggetti |
|
Motion pictures - History |
Silent films - History and criticism |
Theater and society |
Performance art |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and filmography. |
|
|
|
|
|
|
Nota di contenuto |
|
Stimulating the audience : early cinema's short film programme format 1906-1912 / Andrea Haller and Martin Loiperdinger -- The best years of film history : a hundred years ago / Mariann Lewinsky -- 'From the botom of the sea' : early film at the Oberhausen Festival / Tom Gunning -- From the past to the future : suffragettes--extremists of visibility in Berlin / Madeleine Bernstorff -- Silent films in their first decades--objects for research or for exhibition? / Eric de Kuyper -- Programming the local : Mitchell & Kenyon and the local film show / Vanessa Toulmin -- Back to the future : early cinema and late economy of attention : a interim report about Crazy cinematographe / Claude Bertemes and Nicole Dahlen -- The Crazy cinematographe, or the art of the impromtu spectator / Dick Tomasovic -- The art of crazy programming : documentation of Crazy cinematographe programmes, 2007 to 2010 / Claude Bertemes and Nicole Dahlen -- Programming and performing early cinema today : strategies and dispositifs / Frank Kessler. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Invented in the 1890's and premiered in Paris by the Lumiere brothers, the cinematograph along with Louis Le Prince's single-lens camera projector are considered by film historians to be the precursors to modern-day motion picture devices. These early movies were often |
|
|
|
|