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1. |
Record Nr. |
UNINA9910495984703321 |
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Autore |
Désveaux Emmanuel |
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Titolo |
Avant le genre : Triptyque d’anthropologie hardcore / Emmanuel Désveaux |
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Pubbl/distr/stampa |
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Paris, : Éditions de l’École des hautes études en sciences sociales, 2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (294 p.) |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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L’idée que l’on se fait de la polarisation entre l’homme et la femme serait universelle. Tantôt on explique cette dualité par des présupposés tirés de la nature (quelle nature ?) tantôt, comme le font les « études de genre », on la considère toujours et partout comme une pure construction de l’esprit dénuée de toute justification biologique. Emmanuel Désveaux récuse cette alternative avec force. Pour lui, il s’agit d’écouter ce que l’ethnographie - ou ses équivalents, dans le monde occidental, que sont la littérature, la peinture classique et le cinéma - a à nous dire dès lors qu’elle se penche sur trois aires culturelles radicalement distinctes : l’Amérique, l’Australie et l’Europe. L’angle d’attaque se trouve renversé : il est question de comprendre comment les conceptions - qui sont toujours d’ordre phénoménologique - de ce qui fonde la différence des sexes créent de la différence d’un point de vue culturel. |
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2. |
Record Nr. |
UNINA9910787383103321 |
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Autore |
Green Katherine Sobba <1949-> |
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Titolo |
The courtship novel, 1740-1820 : a feminized genre / / Katherine Sobba Green |
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Pubbl/distr/stampa |
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Lexington, Kentucky : , : The University Press of Kentucky, , 1991 |
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©1991 |
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ISBN |
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0-8131-8448-7 |
0-8131-4966-5 |
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Descrizione fisica |
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1 online resource (193 p.) |
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Disciplina |
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Soggetti |
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English fiction - 18th century - History and criticism |
Courtship in literature |
Feminism and literature - Great Britain - History - 18th century |
Feminism and literature - Great Britain - History - 19th century |
Women and literature - Great Britain - History - 18th century |
Women and literature - Great Britain - History - 19th century |
English fiction - Women authors - History and criticism |
English fiction - 19th century - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references (p.[165]-179) and index. |
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Nota di contenuto |
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Cover; Title; Copyright; Contents; Acknowledgments; Introduction; Part I. A Feminized Genre; 1. The Courtship Novel: Textual Liberation for Women; 2. Eliza Haywood: A Mid-Career Conversion; 3. Mary Collyer: Genre Experiment; Part II. Feminist Reception Theory; 4. Early Feminist Reception Theory: Clarissa and The Female Quixote; 5. Charlotte Lennox: Henrietta, Runaway Ingenue; 6. Frances Moore Brooke: Emily Montague's Sanctum Sanctorum; Part III. The Commodification of Heroines; 7. The Blazon and the Marriage Act: Beginning for the Commodity Market |
8. Fanny Burney: Cecilia, the Reluctant HeiressPart IV. Educational Reform; 9. Richardson and Wollstonecraft: The ""Learned Lady"" and the New Heroine; 10. Bluestockings, Amazons, Sentimentalists, and Fashionable Women; 11. Jane West: Prudentia Homespun and Educational Reform; 12. Mary Brunton: The Disciplined Heroine; Part V. |
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The Denouement: Courtship and Marriage; 13. Courtship: ""When Nature Pronounces Her Marriageable""; 14. Maria Edgeworth: Belinda and a Healthy Scepticism; 15. Jane Austen: The Blazon Overturned; Conclusion; Chronology of Courtship Novels; Notes; Index; A; B; C; D; E; F |
GH; I; J; K; L; M; N; O; P; R; S; T; W |
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Sommario/riassunto |
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The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles.That the choice among suitors ideally depended on love and should not be decided on any other grounds was a principal theme among a group of heroine-centered novels published between 1740 and 1820. During these d |
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