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1. |
Record Nr. |
UNINA9910787347003321 |
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Autore |
Holler Anke |
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Titolo |
Weiterführende Relativsätze : empirische und theoretische Aspekte / / Anke Holler |
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Pubbl/distr/stampa |
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Berlin, [Germany] : , : Akademie Verlag, , 2005 |
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©2005 |
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ISBN |
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Descrizione fisica |
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1 online resource (332 p.) |
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Collana |
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studia grammatica, , 0081-6469 ; ; 60 |
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Classificazione |
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Disciplina |
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Soggetti |
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German language - Relative clauses |
Grammar, Comparative and general - Relative clauses |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter -- Inhaltsverzeichnis -- 1. Einleitung -- 2. Das Phänomen -- 3. Nicht-/Restriktive Relativsätze -- 4. Phono-Syntax der wRS -- 5. Semantik und Diskursstruktur der wRS -- 6. HPSG-theoretische Analyse der wRS -- 7. Schlußbemerkung -- Literaturverzeichnis |
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Sommario/riassunto |
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Die weiterführenden Relativsätze stellen einen grammatiktheoretisch interessanten Phänomenbereich dar, da sie einerseits wurzelsatztypische Eigenschaften aufweisen, sich andererseits aber wie typische Nebensätze verhalten. Im Buch wird auf der Grundlage umfassender empirischer Untersuchungen ein Gesamtbild der Grammatik der weiterführenden Relativsätze entworfen. Dabei werden gleichermaßen syntaktische, semantische und diskursstrukturelle Aspekte berücksichtigt. Die Autorin beschreibt die weiterführenden Relativsätze als nicht-restriktive Sätze, die nur in syntaktischer Hinsicht als generell satzbezogen gelten können. Sie zeigt, dass sich die weiterführenden Relativsätze semantisch - vermittelt durch eine einleitende w/d-Anapher - auf Individuen oder abstrakte Entitäten unterschiedlichen Typs beziehen. Ein im Rahmen der constraintbasierten Grammatiktheorie HPSG detailliert ausgearbeiteter formaler Analysevorschlag komplettiert die Darstellung. |
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2. |
Record Nr. |
UNISA996411336203316 |
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Autore |
Peers Glenn |
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Titolo |
Animism, materiality and museums : how do Byzantine things feel? / / Glenn Peers |
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Pubbl/distr/stampa |
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Leeds : , : Arc Humanities Press, , 2020 |
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©2020 |
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ISBN |
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Edizione |
[New edition.] |
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Descrizione fisica |
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1 online resource (178 pages) : illustrations (black and white, and colour) ; |
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Collana |
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Collection development, cultural heritage, and digital humanities |
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Classificazione |
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Disciplina |
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Soggetti |
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Art, Byzantine |
Animism in art |
Art, Byzantine - Exhibitions |
Geographical Subject Heading |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical material and index. |
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Nota di contenuto |
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Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgements -- Introduction -- Part 1. Animate Materialities from Icon to Cathedral -- Chapter 1. Showing Byzantine Materiality -- Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things -- Part 2. Byzantine Things in the World: Animating Museum Spaces -- Chapter 3. Prelude on Transfiguring Exhibition -- Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition -- Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity -- Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality -- Chapter 6. Angelic Anagogy, Silver, and Matter's Mire -- Chapter 7. Late Antique Making and Wonder -- Chapter 8. Senses' Other Sides -- Epilogue -- Bibliography -- Index Contents [delete if appropriate]. |
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Sommario/riassunto |
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Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate |
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the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world. |
Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world. |
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3. |
Record Nr. |
UNIORUON00031504 |
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Autore |
IDNZIKJIAN, Oganes Grigor'evic |
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Titolo |
Burzuazija osmanskoj imperii = Osmanyan kaysrutyan burzuazian / Oganes G. Idnzikjian |
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Pubbl/distr/stampa |
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Erevan, : Izdatel'stvo Akademii Nauk Armjanskoj SSR, 1977 313 p. ; 21 cm |
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Classificazione |
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Soggetti |
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Sociologia - Impero ottomano - Classi cittadine |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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