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Record Nr. |
UNINA9910787226703321 |
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Titolo |
Antimodernism and artistic experience : policing the boundaries of modernity / / edited by Lynda Jessup |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2001 |
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©2001 |
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ISBN |
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1-4426-5566-6 |
1-4426-2310-1 |
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Descrizione fisica |
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1 online resource (306 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Primitivism in art |
Modernism (Art) |
Art, Modern - 19th century |
Art, Modern - 20th century |
Primitivism in art - Canada |
Modernism (Art) - Canada |
Art, Canadian - 20th century |
Electronic books. |
Canada |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Foreword -- Acknowledgments -- Antimodernism and artistic experience: an introduction -- Introduction: around and about modernity: some comments on themes of primitivism and modernism -- Performing the native woman: primitivism and mimicry in early twentieth-century visual culture -- The colonial lens: Gauguin, primitivism, and photography in the fin de siecle -- Emily Carr and the traffic in native images -- Introduction: staging antimodernism in the age of high capitalist nationalism -- Modernists and folk on the lower St. Lawrence: the problem of folk art -- Handicrafts and the logic of 'commercial antimodernism': the Nova Scotia case -- Bushwhackers in the gallery: antimodernism and the Group of Seven -- Introduction: modernity, nostalgia, and the standardization of time -- Artisans and |
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art nouveau in fin-de-siecle Belgium: primitivism and nostalgia -- Van Gogh in the south: antimodernism and exoticism in the Arlesian paintings -- Plays without people: shadows and puppets of modernity in fin-de-siecle Paris -- Primitivism in Sweden: dormant desire or fictional identity? |
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Sommario/riassunto |
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Scholars in art history, anthropology, history, and feminist media studies explore Western antimodernism of the turn of the 20th century as an artistic response to a perceived loss of 'authentic' experience. |
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