1.

Record Nr.

UNISALENTO991002216169707536

Autore

Kaplan, Benjamin

Titolo

An unhurried view of copyright republished : (and with contributions from friends) / Benjamin Kaplan ... [et al.] ; general editors: Iris C. Geik ... [et al.]

Pubbl/distr/stampa

Newark : LexisNexis/Matthew Bender, 2005

ISBN

0820558575

Descrizione fisica

xix, 142, [237] p. ; 27 cm

Altri autori (Persone)

Geik, Iris C.

Disciplina

346.730482

Soggetti

Copyright - Stati Uniti

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Scritti in onore di Benjamin Kaplan

"Published in cooperation with Suffolk University Law School, Intellectual Property Law Concentration"

Nota di bibliografia

Contiene bibliografia



2.

Record Nr.

UNINA9910787176903321

Autore

Chua Brandon <1981->

Titolo

Ravishment of Reason : Governance and the Heroic Idioms of the Late Stuart Stage, 1660-1690 / / Brandon Chua

Pubbl/distr/stampa

Lanham, Maryland ; ; London, England : , : Bucknell University Press, , 2014

©2014

ISBN

1-61148-583-5

Descrizione fisica

1 online resource (231 p.)

Collana

Transits: Literature, Thought & Culture, 1650-1850

Disciplina

822.409

Soggetti

English drama - Restoration, 1660-1700

Theater - England - History

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

CONTENTS; ACKNOWLEDGMENTS; LIST OF ABBREVIATIONS; INTRODUCTION; Ch01. "HEROICALL PICTURES"; Ch02. "NEW RIGHTS WE GRANT NOT, BUT THE OLD DECLARE"; Ch03. "'TIS ALL BUT CEREMONY WHICH IS PAST"; Ch04. SHAKESPEARE'S HISTORY LESSON; Ch05. "CAJOLING THE PEOPLE WITH HIS KNOWN INDUSTRY"; Ch06. THE POLITICS OF COWARDICE; Ch07. "HALF LOATH AND HALF CONSENTING"; CONCLUSION; NOTES; BIBLIOGRAPHY; INDEX; ABOUT THE AUTHOR

Sommario/riassunto

<span><span style=""font-style:italic;"">Ravishment of Reason</span><span> presents a new contextual framework for the study of Restoration drama, demonstrating the important cultural work performed by the restored theaters in offering versions of political theory that mediated between older notions of thaumaturgic authority and proto-modern forms of government premised upon autonomy and contract. </span></span>