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1. |
Record Nr. |
UNINA9910460286303321 |
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Autore |
Lie John |
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Titolo |
K-pop : popular music, cultural amnesia, and economic innovation in South Korea / / John Lie |
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Pubbl/distr/stampa |
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Oakland, California : , : University of California Press, , 2015 |
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©2015 |
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ISBN |
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0-520-28312-0 |
0-520-95894-2 |
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Descrizione fisica |
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1 online resource (249 p.) |
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Disciplina |
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Soggetti |
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Popular music - Korea (South) - History and criticism |
Popular music - Economic aspects - Korea (South) |
Popular music - Social aspects - Korea (South) |
Music and globalization - Korea (South) |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front matter -- Contents -- Prelude -- 1. How Did We Get Here? -- Interlude -- 2. Seoul Calling -- Postlude -- Coda -- Notes -- Glossary of Korean Terms -- Index |
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Sommario/riassunto |
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K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. John Lie provides not only a history of South Korean popular music-the premodern background, Japanese colonial influence, post-Liberation American impact, and recent globalization-but also a description of K-pop as a system of economic innovation and cultural production. In doing so, he delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe. |
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2. |
Record Nr. |
UNINA9910787060903321 |
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Autore |
Rogers Amanda <1981-, > |
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Titolo |
Performing Asian transnationalisms : theatre, identity and the geographies of performance / / Amanda Rogers |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2015 |
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ISBN |
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1-135-01032-3 |
1-138-38334-1 |
0-203-74401-2 |
1-135-01033-1 |
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Descrizione fisica |
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1 online resource (269 p.) |
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Collana |
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Routledge Advances in Theatre and Performance Studies ; ; Volume 36 |
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Classificazione |
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PER011000SOC015000PER000000 |
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Disciplina |
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Soggetti |
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Theater - Asia |
Theater - Asia - Foreign influences |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Figures; Acknowledgements; Introduction: Transnational Geographies and ''Asian'' Performance; 1 Transnational Theatre Networks; 2 Intersectional Identities in Transnational Theatre; Part I Transnationalism in Context; 3 Glocalisation at the Singapore Arts Festival; 4 Performing Displacement: Asian American Diasporic and Refugee Theatre; 5 Touring Transnationality: The Production of British East Asian Theatre; Part II Transnationalism Across Contexts |
6 Singapore-Scotland: Transnational Policy and Theatrical Exchange7 Relational Spaces of Protest: The Orphan of Zhao Controversy; 8 Translocal Circulation: From M. Butterfly to Mu-Lan; Conclusion: A Slice of Transnationalism, Performance and Asian Identity; Notes; References; Index |
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Sommario/riassunto |
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"This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and |
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South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global -- rather than simply national -- cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways"-- |
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3. |
Record Nr. |
UNIORUON00479305 |
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Autore |
COLBERT, Soyica Diggs |
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Titolo |
Black movements : performance and cultural politics / Soyica Diggs Colbert |
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Pubbl/distr/stampa |
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New Brunswick [etc.], : Rutgers University Press, c2017 |
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ISBN |
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Descrizione fisica |
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vii, 229 p. : ill. ; 23 cm |
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Disciplina |
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Soggetti |
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Afro-americani - Diritti - Storia |
TEATRO AFRO-AMERICANO - Storia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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