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1. |
Record Nr. |
UNINA9910786975303321 |
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Titolo |
Cultural heritage in the crosshairs [[electronic resource]] : protecting cultural property during conflict / / edited by Joris D. Kila, James A. Zeidler |
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Pubbl/distr/stampa |
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Leiden, Netherlands ; ; Boston, Mass., : Brill, c2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (374 p.) |
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Collana |
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Heritage and identity : issues in cultural heritage protection |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Cultural property - Protection - International cooperation |
War and civilization |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Matter / Joris D. Kila and James A. Zeidler -- Introduction / Karl von Habsburg -- Military Involvement in Cultural Property Protection as Part of Preventive Conservation / Joris D. Kila -- Respecting and Protecting Cultural Heritage in Peace Support Operations—A Pragmatic Approach / Michael Pesendorfer -- Cultural Property Protection and the Training Continuum in the U.S. Department of Defense / James A. Zeidler -- Developing a Cultural Property Protection Training Program for ROTC: Methodology, Content, and Structure / John A. Valainis -- Conflicting Memory: The Use of Conflict Archaeology Sites as Training for Operational Troops / Richard Osgood -- Developing a NATO Cultural Property Protection Capability / Michael Hallett -- Aiming to Miss: Engaging with the Targeting Process as a Means of Cultural Property Protection / Michael Hallett -- A Case Study in Cultural Heritage Protection in a Time of War / Benjamin A. Roberts and Gary B. Roberts -- Preserving Cultural Heritage in Time of Conflict: A Tool for Counterinsurgency / Cheryl White and Thomas Livoti -- Heritage Destruction and Spikes in Violence: The Case of Iraq / Benjamin Isakhan -- A Report on Archaeological Site Stability and Security in Afghanistan: The Lashkari Bazar Survey / Matthieu J. Murdock and Carrie A. Hritz -- Holy Places—Contested Heritage: Dealing with Cultural Heritage in the Region of Palestine from the Ottoman Period |
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until Today / Friedrich T. Schipper -- Urban Cultural Heritage and Armed Conflict: The Case of Beirut Central District / Caroline A. Sandes -- Antiquity and Conflict: Some Historical Remarks on a Matter of Selection / Mirjam Hoijtink -- Plundering Boys: A Cultural Criminology Assessment on the Power of Cultural Heritage as a Cause for Plunder in Armed Conflicts along History / Marc Balcells -- Conclusion / Joris D. Kila and James A. Zeidler -- Index / Joris D. Kila and James A. Zeidler. |
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Sommario/riassunto |
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The protection of cultural property during times of armed conflict and social unrest has been an on-going challenge for military forces throughout the world even after the ratification and implementation of the 1954 Hague Convention and its two Protocols by participating nations. This volume provides a series of case studies and “lessons learned” to assess the current status of Cultural Property Protection (CPP) and the military, and use that information to rethink the way forward. The contributors are all recognized experts in the field of military CPP or cultural heritage and conflict, and all are actively engaged in developing national and international solutions for the protection and conservation of these non-renewable resources and the intangible cultural values that they represent. |
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2. |
Record Nr. |
UNINA9910815766703321 |
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Autore |
MacFadyen David <1964-> |
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Titolo |
Songs for fat people : affect, emotion, and celebrity in the Russian popular song, 1900-1955 / / David MacFadyen |
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Pubbl/distr/stampa |
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Montreal ; ; Ithaca, : McGill-Queen's University Press, c2002 |
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ISBN |
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1-282-86077-1 |
9786612860775 |
0-7735-7062-4 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Popular music - Soviet Union - History and criticism |
Popular music - Social aspects - Soviet Union |
Singers - Soviet Union |
Musique populaire - URSS - Histoire et critique |
Musique populaire - Aspect social - URSS |
Chanteurs - URSS |
Musique populaire - Russie - 20e siecle - Histoire et critique |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references, filmography, discography and index. |
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Nota di contenuto |
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Front Matter -- Contents -- Songs for Fat People -- Introduction: A Quick Comment Before we Begin in Earnest -- In Practice: Eleven Famous Performers, Loved by Tens of Millions -- Grace Under Friendly Fire: The Gypsy Romances of Izabella Iur’Eva and Tamara Tsereteli -- The Romance in Exile: Iurii Morfessi and Petr Leshchenko -- Internal(Ized) Exile: The Mystery of Vadim Kozin -- Exit Stage Left: Aleksandr Vertinskii and Cabaret -- Affectation and Buffoonery: Leonid Utesov and Odessa Jazz -- Klavdiia Shul’zhenko: “Let’s Have a Smoke, Comrade!” -- Mark Bernes: Hushed Songs from the Silver Screen -- Prison and Prestige: The Folk Songs of Lidiia Ruslanova and Liudmila Zykina -- In Theory: Soviet Entertainment Seen From Today’s Perspectives -- Time to Speculate and Take Stock: 1 January 2000 in Russian Light Entertainment -- Conclusion and Unsolicited Encore -- Notes -- Audio-Visual Sources -- Index |
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Sommario/riassunto |
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The author traces the careers of early singers such as Izabella Iur'eva, Tamara Tsereteli, and others who struggled to continue to perform as they fled the dangers of a Soviet society that had little patience for café-culture. MacFadyen follows their trail through Eastern Europe to Paris and London, then across to New York and San Francisco, and back into Russia through the smoky, émigré bars of colourful Chinese towns. He pays particular attention to the notion of "mass" songs inside the Soviet Union and explores the relationship of official and public approval. By looking at how these performers used success at home and abroad to become recording stars, film stars, and eventually television personalities, MacFadyen avoids the conventional dichotomies about the East Block to show the complexity of Soviet culture. |
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