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Record Nr. |
UNINA9910786561203321 |
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Autore |
Roesner David |
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Titolo |
Musicality in theatre : music as model, method and metaphor in theatre-making / / David Roesner |
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Pubbl/distr/stampa |
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Surrey, England ; ; Burlington, Vermont : , : Ashgate, , 2014 |
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©2014 |
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ISBN |
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1-315-59700-4 |
1-317-09133-7 |
1-317-09132-9 |
1-4094-6102-5 |
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Descrizione fisica |
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1 online resource (320 p.) |
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Collana |
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Ashgate Interdisciplinary Studies in Opera |
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Disciplina |
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Soggetti |
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Music in the theater |
Theater - Production and direction |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Contents; List of Figures; Series Editor's Preface; Acknowledgements; Introduction: Premises and Promises; 1 Appia - Musicality and the 'Inner Essence'; 2 Meyerhold - Theatre 'Organized According to The Music's Laws'; 3 Artaud - The Musicality of Sound, Voice and Noise; 4 Writing with Your Ears - The Musicality of Playwriting; 5 Theatre and Jazz; 6 The Eclectic Musicality of Now; Conclusion: Paradoxes of Musicality; Bibliography; Index |
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Sommario/riassunto |
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Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier. |
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