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Record Nr. |
UNINA9910786531903321 |
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Autore |
Kayes Gillyanne |
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Titolo |
Singing and the actor / / Gillyanne Kayes |
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Pubbl/distr/stampa |
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London, England ; ; New York, New York : , : Bloomsbury Methuen Drama, , 2013 |
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©2004 |
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ISBN |
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1-4081-1652-9 |
1-4742-6102-7 |
1-4081-4968-0 |
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Edizione |
[Second edition.] |
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Descrizione fisica |
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1 online resource (209 p.) |
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Disciplina |
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Soggetti |
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Singing - Instruction and study |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Cover; Contents; Acknowledgements; Foreword; Section 1: HOW THE VOICE WORKS; 1 How do I make the notes?; 2 My voice won''t come out at auditions; 3 But I thought I wasn''t supposed to feel anything!; 4 What exactly is support?; Section 2: TRAINING YOUR VOICE; 5 Developing the three octave siren; 6 The nasal port; 7 Dynamic control and projection; 8 Tuning the oral resonator; 9 Twang, the singer''s formant; Section 3: WORKING THE TEXT; 10 Putting it together; 11 Singing the text; 12 Creating voice qualities; 13 The act of singing; Afterword; Glossary; A; B; C; F; G; H; I; L; M; N; O; P; R; S |
VList of exercises and song assignments; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Index of song titles |
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Sommario/riassunto |
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<P>Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice? </P> <P>Now in its second edition, this practical handbook takes the reader through <B>a step-by-step training programme relevant to the modern singing actor and dancer</B>. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic. </P> |
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