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Record Nr. |
UNISA996391006703316 |
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Autore |
Barnes Barnabe <1569?-1609.> |
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Titolo |
The Diuils charter [[electronic resource] ] : a tragædie conteining the life and death of Pope Alexander the sixt. As it was plaide before the Kings Maiestie, vpon Candlemasse night last: by his Maiesties Seruants. But more exactly reuewed, corrected, and augmented since by the author, for the more pleasure and profit of the reader |
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Pubbl/distr/stampa |
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At London, : Printed by G[eorge] E[ld] for Iohn Wright, and are to be sold at his shop in New-gate market, neere Christ church gate, 1607 |
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Descrizione fisica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Mostly in verse. |
Printer's name from STC. |
Signatures: A-M⁴. |
The last leaf is blank. |
With dedication on verso of title page. |
Reproduction of the original in Cambridge University Library. |
E2 cropped. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910786500703321 |
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Autore |
Hui Alexandra <1980-> |
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Titolo |
The psychophysical ear [[electronic resource] ] : musical experiments, experimental sounds, 1840-1910 / / Alexandra Hui |
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Pubbl/distr/stampa |
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Cambridge, Mass., : MIT Press, c2013 |
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ISBN |
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0-262-30503-8 |
1-283-74161-X |
0-262-30595-X |
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Descrizione fisica |
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1 online resource (257 p.) |
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Collana |
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Transformations : studies in the history of science and technology |
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Disciplina |
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Soggetti |
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Psychoacoustics - History - 19th century |
Psychoacoustics - History - 20th century |
Sound - Experiments - History - 19th century |
Sound - Experiments - History - 20th century |
Avant-garde (Music) - History - 19th century |
Avant-garde (Music) - History - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Transformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke |
5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index |
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Sommario/riassunto |
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An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. |
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