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1. |
Record Nr. |
UNINA9910467423603321 |
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Titolo |
Advances in accounting education : teaching and curriculum innovations / / edited by Thomas G. Calderson |
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Pubbl/distr/stampa |
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Bingley, UK : , : Emerald Publishing, , 2019 |
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ISBN |
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1-78756-541-6 |
1-78756-539-4 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (242 pages) : illustrations |
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Collana |
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Advances in Accounting Education ; ; Volume 22 |
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Disciplina |
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Soggetti |
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Accounting - Study and teaching |
Educational innovations |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910149624403321 |
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Autore |
Schmidt Karl-Heinz |
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Titolo |
Geliebter Zweifler : Predigten durch das Kirchenjahr / / Karl-Heinz Schmidt |
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Pubbl/distr/stampa |
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Leipzig, [Germany] : , : Evangelische Verlagsanstalt, , 2016 |
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©2016 |
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ISBN |
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3-374-04713-0 |
3-374-04712-2 |
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Descrizione fisica |
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1 online resource (137 pages) : illustrations |
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Disciplina |
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Soggetti |
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Church renewal |
Mission of the church |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910786423603321 |
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Titolo |
Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin |
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Pubbl/distr/stampa |
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New York ; ; London : , : Routledge, , 2013 |
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ISBN |
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1-136-15782-4 |
0-203-07892-6 |
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Descrizione fisica |
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1 online resource (324 p.) |
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Collana |
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Routledge Research in Music ; ; 4 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Popular music - Social aspects - Europe |
Popular music - Social aspects - United States |
Popular music - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters and index. |
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Nota di contenuto |
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""Front Cover""; ""Musical Performance and the Changing City""; ""Copyright Page""; ""Contents""; ""List of Figures""; ""List of Tables""; ""Preface""; ""Introduction: Musical Performance and the Changing City""; ""Part I: Placemaking""; ""1. “From the Big Dig to the Big Gig�: Live Music, Urban Regeneration, and Social Change in the European Capital of Culture 2008""; ""2. Sounding Austin: Live Music, Race, and the Selling of a City""; ""3. Sounding Out the Cuban Diaspora in Barcelona: Music, Migration and the Urban Experience"" |
""4. Destination “Three Days Awake�: Cultural Urbanism at a Popular Music Festival Outside the City""""Part II: Scenes and Venues""; ""5. Digital Underground: Musical Spaces and Microscenes in the Postindustrial City""; ""6. The Advent of Rock Clubs for the Gentry: Berlin, Copenhagen, and New York""; ""7. Collectivities and Mixed-Mediations in Amsterdam�s Translocal Jazz Scene""; ""8. The Quality of Mutuality: Jazz Musicians in the Athenian Popular Music Industry""; ""Part III: Nightlife""; ""9. Crowd Solidarity on the Dance Floor in Paris and Berlin"" |
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""10. The Sound Culture of Dubstep in London""""11. The Networking Logic of the Postindustrial Music Milieu: A City of London Ethnographic Moment""; ""Contributors""; ""Index"" |
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