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Record Nr. |
UNINA9910786406303321 |
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Autore |
Kennedy David <1959-> |
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Titolo |
Women's experimental poetry in Britain 1970-2010 : body, time & locale / / by David Kennedy and Christine Kennedy [[electronic resource]] |
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Pubbl/distr/stampa |
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Liverpool : , : Liverpool University Press, , 2013 |
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ISBN |
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1-78138-110-0 |
1-78138-577-7 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (viii, 192 pages) : digital, PDF file(s) |
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Collana |
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Disciplina |
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Soggetti |
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English poetry - Women authors - 20th century |
English poetry - Women authors - 21st century |
English poetry - 20th century - History and criticism |
English poetry - 21st century - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 11 Aug 2017). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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; Part 1. Contexts -- Increasing presence: with some notes on categories and methods -- Terms of engagement: experimental poetry and its others -- Critical histories -- ; Part 2. Poetries -- Veronica Forrest-Thomson and Wendy Mulford: lyric transformations -- Geraldine Monk: supernatural soundscapes and Interregnum -- Denise Riley: corporeal and desiring spaces -- Maggie O'Sullivan: 'Declensions of the non' -- Harriet Tarlo, Elizabeth Bletsoe and Helen Macdonald: 'Being outside' -- Caroline Bergvall, Elizabeth Janes/Frances Presley and Redell Olsen: virtual spaces -- Younger wonen poets 1: Anna Mendelssohn, Emily Critchley and Sophie Robinson -- Younger women poets 2: Marianne Morris, Andrea Brady and Jennifer Cooke. |
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Sommario/riassunto |
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Women's Experimental Poetry in Britain 1970-2010: Body, Time and Locale presents the history and current state of a critically neglected, significant body of contemporary writing and places it within the wider social and political contexts of the period. Ranging from Geraldine Monk's ventriloquizing of the Pendle witches to Denise Riley's fiercely self-critical lyric poems, from the multi-media experiments of Maggie O'Sullivan to the globally aware, politicised sequences of Andrea Brady |
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