1.

Record Nr.

UNINA9910786168003321

Autore

Martin Keavy

Titolo

Stories in a new skin : approaches to Inuit literature / / Keavy Martin

Pubbl/distr/stampa

Winnipeg, Manitoba : , : University of Manitoba Press, , 2012

2012

ISBN

0-88755-426-1

Descrizione fisica

1 online resource (201 p.)

Collana

Contemporary Studies on the North ; ; 3

Disciplina

809/.889712

Soggetti

Inuit literature - Canada - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction Silattuqsarvik- A Place (and Time) to Become Wise -- 1. "It Was Said They Had One Song": "Tuniit" Stories and the Origins of Inuit Nationhood -- 2. "Tagvani Isumataujut" [They Are the Leaders Here]: Reading Unipkaaqtuat, the Classic Inuit Tales -- 3. "Let Me Sing Slowly and Search for a Song": Inuit "Poetry" and the Legacy of Knud Rasmussen -- 4. "I Can Tell You the Story As I Heard It": Life Stories and the Inuit Qaujimajatuqangit Land Bridge -- Afterword : : Inuuqatigiittiarniq-Living Together in a Good Way -- Appendices -- Glossary.

Sommario/riassunto

In an age where southern power-holders look north and see only vacant polar landscapes, isolated communities, and exploitable resources, it is important to note that the Inuit homeland encompasses extensive philosophical, political, and literary traditions. Stories in a New Skin is a seminal text that explores these Arctic literary traditions and, in the process, reveals a pathway into Inuit literary criticism. Author Keavy Martin considers writing, storytelling, and performance from a range of genres and historical periods - the classic stories and songs of Inuit oral traditions, life writing, oral histories, and contemporary fiction, poetry and film - and discusses the ways in which these texts constitute an autonomous literary tradition. She draws attention to the interconnection between language, form and context and illustrates the capacity of Inuit writers, singers and storytellers to instruct diverse audiences in the appreciation of Inuit



texts. Although Eurowestern academic contexts and literary terminology are a relatively foreign presence in Inuit territory, Martin builds on the inherent adaptability and resilience of Inuit genres in order to foster greater southern awareness of a tradition whose audience has remained primarily northern.