1.

Record Nr.

UNINA9910786135403321

Autore

Davis David J (David Jonathan)

Titolo

Seeing faith, printing pictures [[electronic resource] ] : religious identity during the English Reformation / / by David J. Davis

Pubbl/distr/stampa

Leiden ; ; Boston, : Brill, 2013

ISBN

1-299-18466-9

90-04-23602-3

Descrizione fisica

1 online resource (259 p.)

Collana

Library of the written word, , 1874-4834 ; ; v. 25. The handpress world ; ; v. 19

Disciplina

246.0942/09031

Soggetti

Reformation and art - England

Christian literature, English

Illustration of books - England

Identification (Religion)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Preliminary Material -- Introduction: Images and Early Modern Religious Identity -- Material Religion: The Image in Early Modern Print -- Printed Images and the Reformation in England -- Christ, the Virgin, and the Catholic Tradition of Printed Images -- Representations of Christ: Reforming the Imitatio Christi -- Seeing God: Protestant Visions of the Father -- Reforming Deity: Symbolic Pictures of God -- Conclusion -- Appendix -- Select Bibliography -- Index.

Sommario/riassunto

Scholarship on religious printed images during the English Reformation (1535-1603) has generally focused on a few illustrated works and has portrayed this period in England as a predominantly non-visual religious culture. The combination of iconoclasm and Calvinist doctrine have led to a misunderstanding as to the unique ways that English Protestants used religious printed images. Building on recent work in the history of the book and print studies, this book analyzes the widespread body of religious illustration, such as images of God the Father and Christ, in Reformation England, assessing what religious beliefs they communicated and how their use evolved during the period. The result is a unique analysis of how the Reformation in



England both destroyed certain aspects of traditional imagery as well as embraced and reformulated others into expressions of its own character and identity.