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Record Nr. |
UNINA9910659532403321 |
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Autore |
Robertson William Glenn <1944-> |
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Titolo |
Staff ride handbook for the Battle of Chickamauga, 18-20 September 1863 / / by William Glenn Robertson [and four others] |
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Pubbl/distr/stampa |
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[Place of publication not identified] : , : Pickle Partners Publishing, , 2013 |
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©1992 |
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ISBN |
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Descrizione fisica |
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1 online resource (x, 182 pages) : illustrations, maps |
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Disciplina |
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Soggetti |
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Chickamauga, Battle of, Ga., 1863 |
Guidebooks. |
Chickamauga and Chattanooga National Military Park (Ga. and Tenn.) Guidebooks |
Georgia |
United States Chickamauga and Chattanooga National Military Park |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 174-179). |
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2. |
Record Nr. |
UNINA9910786078403321 |
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Autore |
Gray Ann |
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Titolo |
History on Television [[electronic resource]] |
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Pubbl/distr/stampa |
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Hoboken, : Taylor and Francis, 2013 |
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London ; ; New York : , : Routledge, , 2013 |
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ISBN |
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1-283-91985-0 |
0-203-07480-7 |
1-135-11543-5 |
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Descrizione fisica |
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1 online resource (257 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Historical television programs -- Great Britain |
History on television |
National characteristics, English |
Television -- Production and direction |
Television and history -- Great Britain |
Historical television programs - Production and direction - Great Britain |
Television and history - Great Britain |
Television |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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HISTORY ON TELEVISION; Copyright; Contents; Preface; Acknowledgements; Introduction; 1 The business of television: public service to brand identity; 2 Landmark and flagship television: heritage and national identity; 3 Commemorative and 'historical event' television: memory and identity; 4 Reenactment: engagement, experience and empathy; 5 Who do 'they' think 'we' are?: considering the audience; Conclusion: Problematizing 'public history' - what is rarely there?; Notes; Bibliography; Index |
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Sommario/riassunto |
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In recent years non-fiction history programmes have flourished on television. This interdisciplinary study of history programming identifies and examines different genres employed by producers and tracks their commissioning, production, marketing and distribution |
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histories. With comparative references to other European nations and North America, the authors focus on British history programming over the last two decades and analyse the relationship between the academy and media professionals. They outline and discuss often-competing discourses about how to 'do' history and the underly |
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