1.

Record Nr.

UNINA9910659532403321

Autore

Robertson William Glenn <1944->

Titolo

Staff ride handbook for the Battle of Chickamauga, 18-20 September 1863 / / by William Glenn Robertson [and four others]

Pubbl/distr/stampa

[Place of publication not identified] : , : Pickle Partners Publishing, , 2013

©1992

ISBN

1-78289-527-2

Descrizione fisica

1 online resource (x, 182 pages) : illustrations, maps

Disciplina

973.735

Soggetti

Chickamauga, Battle of, Ga., 1863

Guidebooks.

Chickamauga and Chattanooga National Military Park (Ga. and Tenn.) Guidebooks

Georgia

United States Chickamauga and Chattanooga National Military Park

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references (pages 174-179).



2.

Record Nr.

UNINA9910786078403321

Autore

Gray Ann

Titolo

History on Television [[electronic resource]]

Pubbl/distr/stampa

Hoboken, : Taylor and Francis, 2013

London ; ; New York : , : Routledge, , 2013

ISBN

1-283-91985-0

0-203-07480-7

1-135-11543-5

Descrizione fisica

1 online resource (257 p.)

Altri autori (Persone)

BellErin <1975->

Disciplina

791.450941

791.45658

Soggetti

Historical television programs -- Great Britain

History on television

National characteristics, English

Television -- Production and direction

Television and history -- Great Britain

Historical television programs - Production and direction - Great Britain

Television and history - Great Britain

Television

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

HISTORY ON TELEVISION; Copyright; Contents; Preface; Acknowledgements; Introduction; 1 The business of television: public service to brand identity; 2 Landmark and flagship television: heritage and national identity; 3 Commemorative and 'historical event' television: memory and identity; 4 Reenactment: engagement, experience and empathy; 5 Who do 'they' think 'we' are?: considering the audience; Conclusion: Problematizing 'public history' - what is rarely there?; Notes; Bibliography; Index

Sommario/riassunto

In recent years non-fiction history programmes have flourished on television. This interdisciplinary study of history programming identifies and examines different genres employed by producers and tracks their commissioning, production, marketing and distribution



histories. With comparative references to other European nations and North America, the authors focus on British history programming over the last two decades and analyse the relationship between the academy and media professionals. They outline and discuss often-competing discourses about how to 'do' history and the underly