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Record Nr. |
UNINA9910455032003321 |
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Autore |
Rosenblatt Jason Philip <1941-> |
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Titolo |
Torah and law in Paradise lost [[electronic resource] /] / Jason P. Rosenblatt |
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Pubbl/distr/stampa |
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Princeton, N.J., : Princeton University Press, c1994 |
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ISBN |
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1-282-75194-8 |
9786612751943 |
1-4008-2130-4 |
1-4008-1320-4 |
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Edizione |
[Course Book] |
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Descrizione fisica |
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1 online resource (287 p.) |
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Disciplina |
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Soggetti |
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Rabbinical literature - History and criticism |
Jewish law in literature |
Judaism in literature |
Eden in literature |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- Chapter One. Law and Gospel in Paradise Lost -- Chapter Two. Milton's Hebraic Monism -- Chapter Three. Moses Traditions and the Miltonic Bard -- Chapter Four. Angelic Tact: Raphael on Creation -- Chapter Five. Book 9: The Unfortunate Redemption -- Chapter Six. The Law in Adam's Soliloquy -- Chapter Seven. The Price of Grace: Adam, Moses, and the Jews -- Notes -- Index of Biblical References -- General Index |
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Sommario/riassunto |
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It has been the fate of Milton, the most Hebraic of the great English poets, to have been interpreted in this century largely by those inhospitable to his Hebraism. To remedy this lack of balance, Jason Rosenblatt reveals Milton's epic representations of paradise and the fallen world to be the supreme coordinates of an interpretive struggle, in which Jewish beliefs that the Hebrew Bible was eternally authoritative Torah were set against the Christian view that it was a temporary law superseded by the New Testament. Arguing that the Milton of the |
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1643-1645 prose tracts saw the Hebrew Bible from the Jewish perspective, Rosenblatt shows that these tracts are the principal doctrinal matrix of the middle books of Paradise Lost, which present the Hebrew Bible and Adam and Eve as self-sufficient entities. Rosenblatt acknowledges that later in Paradise Lost, after the fall, a Pauline hermeneutic reduces the Hebrew Bible to a captive text and Adam and Eve to shadowy types. But Milton's shift to a radically Pauline ethos at that point does not annul the Hebraism of the earlier part of the work. If Milton resembles Paul, it is not least because his thought could attain harmonies only through dialectic. Milton's poetry derives much of its power from deep internal struggles over the value and meaning of law, grace, charity, Christian liberty, and the relationships among natural law, the Mosaic law, and the gospel. |
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2. |
Record Nr. |
UNINA9910480845803321 |
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Autore |
Fernández de Buján Antonio |
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Titolo |
La deuda histórica del arbitraje moderno / / Antonio Fernandez de Buján |
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Pubbl/distr/stampa |
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Madrid : , : Dykinson, , 2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (205 páginas) |
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Disciplina |
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Soggetti |
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Law - Spain |
Derecho - España |
Arbitration (Administrative law) - Spain |
Arbitraje (Derecho administrativo) - España |
Roman law |
Derecho romano |
Libros electronicos. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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3. |
Record Nr. |
UNINA9910786019303321 |
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Autore |
Heinlein Sabine <1973-> |
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Titolo |
Among murderers [[electronic resource] ] : life after prison / / Sabine Heinlein |
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Pubbl/distr/stampa |
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Berkeley, Calif., : University of California Press, c2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (257 p.) |
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Disciplina |
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Soggetti |
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Criminals - Rehabilitation - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Acknowledgements -- Introduction -- Freedom day -- At the garden -- Street code -- Talking murder -- Poster boys -- Dinner with bruce -- Work readiness -- Prisoners still -- The penis monologues -- At the barber -- Causalities -- The new coat -- A haunted house -- Waiting for nothing -- Growing old -- Silent forgiveness -- Lies and good luck -- Sex, love, and race -- From attica to broadway -- The new home -- On guard -- Epilogue -- Notes -- References. |
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Sommario/riassunto |
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What is it like for a convicted murderer who has spent decades behind bars to suddenly find himself released into a world he barely recognizes? What is it like to start over from nothing? To answer these questions Sabine Heinlein followed the everyday lives and emotional struggles of Angel Ramos and his friends Bruce and Adam-three men convicted of some of society's most heinous crimes-as they return to the free world.Heinlein spent more than two years at the Castle, a prominent halfway house in West Harlem, shadowing her protagonists as they painstakingly learn how to master their freedom. Having lived most of their lives behind bars, the men struggle to cross the street, choose a dish at a restaurant, and withdraw money from an ATM. Her empathetic first-person narrative gives a visceral sense of the men's inner lives and of the institutions they encounter on their odyssey to redemption. Heinlein follows the men as they navigate the subway, visit the barber shop, venture on stage, celebrate Halloween, and loop through the maze of New York's reentry programs. She asks what constitutes successful rehabilitation and how one faces the guilt and |
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shame of having taken someone's life.With more than 700,000 people being released from prisons each year to a society largely unprepared-and unwilling-to receive them, this book provides an incomparable perspective on a pressing public policy issue. It offers a poignant view into a rarely seen social setting and into the hearts and minds of three unforgettable individuals who struggle with some of life's harshest challenges. |
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