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1. |
Record Nr. |
UNINA9910702623203321 |
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Autore |
Masubuchi Koichi <1924-2016, > |
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Titolo |
Feasibility of remotely manipulated welding in space : a step in the development of novel joining technologies / / by Koichi Masubuchi [and three others] |
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Pubbl/distr/stampa |
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Cambridge, Mass. : , : Massachusetts Institute of Technology, Department of Ocean Engineering |
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Washington, D.C. : , : Office of Space Science and Applications, NASA Headquarters, , September 1983 |
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Descrizione fisica |
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1 online resource (vi, 129. pages, 132 unnumbered pages) : illustrations |
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Collana |
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Soggetti |
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Gas tungsten arc welding |
Large space structures |
Remote manipulator system |
Space commercialization |
Space Shuttle payloads |
Structural design criteria |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed Oct. 22, 2014). |
"September 1983." |
"M.I.T. OSP #93589." |
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Nota di bibliografia |
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Includes bibliographical references. |
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2. |
Record Nr. |
UNINA9910785852503321 |
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Titolo |
The genesis of language [[electronic resource] ] : a different judgement of evidence / / edited by Marge E. Landsberg |
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Pubbl/distr/stampa |
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Berlin ; ; New York, : Mouton de Gruyter, 1988 |
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ISBN |
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Edizione |
[Reprint 2011] |
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Descrizione fisica |
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1 online resource (292 p.) |
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Collana |
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Studies in Anthropological Linguistics ; ; 3 |
Studies in anthropological linguistics ; ; 3 |
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Classificazione |
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Altri autori (Persone) |
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LandsbergMarge E. <1925-> |
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Disciplina |
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Soggetti |
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Language and languages - Origin |
Anthropological linguistics |
Biolinguistics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Selected papers from the Symposium on the Origins of Language held during Phase II of the XIth International Congress of Anthropological and Ethnological Sciences, August 20-23, 1983, Vancouver, B.C., Canada. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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pt. 1. Neurobiological advances -- pt. 2. Perceptual bases -- pt. 3. Fossil evidence -- pt. 4. Linguistic evidence. |
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3. |
Record Nr. |
UNINA9910786525903321 |
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Autore |
Verstegen Ian |
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Titolo |
Cognitive iconology : when and how psychology explains images / / Ian Verstegen |
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Pubbl/distr/stampa |
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Amsterdam, Netherlands ; ; New York, New York : , : Editions Rodopi, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (188 p.) |
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Collana |
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Consciousness Literature & the Arts, , 1573-2193 ; ; 37 |
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Disciplina |
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Soggetti |
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Arts - Psychological aspects |
Psychology and art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preliminary Material -- Preface -- Toward a Cognitive Iconology -- Cognitive Iconology: Understanding versus Explanation -- Fiction and Transcription: Two Ecologies of Perception -- A Classification of Perspective “Corrections” in Images -- Presence over Perspective: Portraits-in-Pictures -- Oblique Images from the Side and Below -- Acting Irrational around Art -- Cognitive Proclivities for the Study of Art -- Bibliography -- Index. |
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Sommario/riassunto |
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Cognitive Iconology is a new theory of the relation of psychology to art. Instead of being an application of psychological principles, it is a methodologically aware account of psychology, art and the nature of explanation. Rather than fight over biology or culture, it shows how they must fit together. The term “cognitive iconology” is meant to mirror other disciplines like cognitive poetics and musicology but the fear that images must be somehow transparent to understanding is calmed by the stratified approach to explanation that is outlined. In the book, cognitive iconology is a theory of cognitive tendencies that contribute to but are not determinative of an artistic meaning. At the center of the book are three case studies: images depicted within images, basic corrections to architectural renderings in images, and murals and paintings seen from the side. In all cases, there is a primitive perceptual pull that contribute to but do not override larger |
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cultural meaning. The book then moves beyond the confines of the image to behavior around the image, and then ends with the concluding question of why some images are harder to understand than others. Cognitive Iconology promises to be important because it moves beyond the turf battles typically fought in image studies. It argues for a sustainable practice of interpretation that can live with other disciplines. |
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