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1. |
Record Nr. |
UNINA9910308052303321 |
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Autore |
Chonchol Jacques |
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Titolo |
L’Amérique latine et le latino-américanisme en France / / Jacques Chonchol, Guy Martinière |
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Pubbl/distr/stampa |
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Paris, : Éditions de l’IHEAL, 2018 |
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ISBN |
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2-37154-078-1 |
2-296-32783-4 |
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Descrizione fisica |
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1 online resource (332 p.) |
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Altri autori (Persone) |
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MartinièreGuy |
BlancaAntoine |
FalconnetCarmen |
HuertaMona |
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Disciplina |
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Soggetti |
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Latin Americanists - France |
Latin America Study and teaching (Higher) France |
Latin America Research France History |
Latin America Relations France |
France Relations Latin America |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Comment peut-on être latino-américaniste aujourd’hui ? Quel intérêt représente pour les sciences de l’homme et de la société, l’existence d’une corporation de chercheurs spécialistes d’une aire culturelle, l’Amérique latine ? Comment évoluent les connaissances scientifiques concernant le continent ? Comment ces connaissances sont-elles transmises et à quel public ? C’est à ces questions et à quelques autres que Jacques Chonchol et Guy Martinière s’efforcent de répondre dans cet ouvrage. Découverte par l’Europe, colonisée, l’Amérique a d’abord été connue grâce aux récits des navigateurs et des missionnaires. Au XIXe siècle, les explorateurs ont laissé la place aux premiers universitaires et chercheurs. Géographes, ethnologues, historiens, archéologues... exprimèrent les ambitions d’une science et d’un esprit scientifique universels appliqués aux caractéristiques originales de ce |
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laboratoire : le latino-américanisme était né. Il était né en France. Mais, l’expression même de ce latino-américanisme apparaissait bien différente selon les visions, perceptions et problématiques fort diverses dont il se réclamait. À mesure que l’intérêt des acteurs du développement des relations entre l’Amérique latine et la France s’accentuait, les cheminements culturels, économiques, politiques des peuples et des nations se diversifiaient. Les latino-américanistes peuvent-ils encore faire connaître aujourd’hui l’Amérique latine aux Latino-américains ? Ont-ils seulement la possibilité, en France, de faire connaître l’Amérique latine aux Français ? |
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2. |
Record Nr. |
UNINA9910785720503321 |
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Autore |
Cox Jason |
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Titolo |
Final Cut Pro X cookbook [[electronic resource] /] / Jason Cox |
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Pubbl/distr/stampa |
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Birmingham, : Packt Pub., 2012 |
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ISBN |
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1-283-68342-3 |
1-84969-297-1 |
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Descrizione fisica |
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1 online resource (452 p.) |
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Disciplina |
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Soggetti |
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Digital video - Editing - Data processing |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Includes index. |
"Edit with style and ease using the latest editing technologies in Final Cut Pro X!" |
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Nota di contenuto |
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Cover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chapter 1: Importing Your Media; Introduction; Importing from a tapeless video camera; Importing MTS, M2TS, and M2T files; Importing DSLR video; Importing music from iTunes and Garage Band; Importing still images; Importing data from a tape-based camera; Importing and working with layered Photoshop files; Importing iMovie projects; Importing Final Cut Pro 7 projects; Working with your already organized media; Relinking media files; Chapter 2: Customizing Your Workflow; Introduction |
Getting acquainted with the Final Cut Pro X interfaceCustomizing the |
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keyboard; Adding keywords to your clips; Marking clips as favorites and rejected; Creating a Smart Collection; Working with a second computer monitor; Working with a broadcast safe monitor; Customizing the Event Library and Event Browser; Batch changing clip names and other metadata; Editing efficiently with optimized and proxy clips; Chapter 3: Basic Editing Mechanics; Introduction; Appending, inserting, and overwriting clips to a storyline; Working with (and without) the Magnetic Timeline; Creating connected clips |
Replacing a clip Splicing clips with the Blade tool; Using the Trim tool, part 1 - trimming and rippling; Using the Trim tool, part 2 - rolling; Using the Trim tool, part 3 - slipping and sliding; Creating and working with gap clips; Chapter 4: Enhancing Your Editing; Introduction; Making a three-point edit; Creating additional storylines; Trimming audio and video separately with a split edit (also known as making a J or L cut); Grouping clips together as a compound clip; Adding markers and to do items; Auditioning multiple shots or takes; Editing in beat to the music |
Using the Precision Editor Multicam part 1 - getting your media synced and prepped; Multicam part 2 - making the live cut; Multicam part 3 - fine-tuning your multicam edit; Chapter 5: Sweetening and Fixing Your Sound; Introduction; Reading and understanding the audio meters; Lowering your music during speakers; Lowering a loud, unexpected background sound with manual keyframes; Replacing bad audio with a cleaner recording; Sound effects, part 1 - browsing, connecting and panning; Sound effects, part 2 - animating with keyframes; Sound effects, part 3 - working in a surround sound space |
Removing unwanted audio channels Unlinking audio from video; Using FCPX's auto audio enhancements; Recording a voice over; Chapter 6: Practical Magic a.k.a Useful Effects; Introduction; Adding an effect and changing its parameters; Animating parameters of an effect over time with keyframes; Adding a watermark or logo to your video; Downloading and installing more effects; Blurring out a face or logo; Disguising a voice; Copying and pasting effects onto multiple clips; Going green (screen) part 1 - the basics; Going green (screen) part 2 - improving your key |
Going green (screen) addendum - using the mask effect to cut out unwanted parts of an image |
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Sommario/riassunto |
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Edit with style and ease using the latest editing technologies in Final Cut Pro X! |
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