|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910785695103321 |
|
|
Titolo |
Mediations of violence in Africa [[electronic resource] ] : fashioning new futures from contested pasts / / edited by Lidwien Kapteijns, Annemiek Richters |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Leiden ; ; Boston, : Brill, 2010 |
|
|
|
|
|
|
|
ISBN |
|
1-282-95278-1 |
9786612952784 |
90-04-18541-0 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (283 p.) |
|
|
|
|
|
|
Collana |
|
African-Europe Group for Interdisciplinary Studies, , 1574-6925 ; ; v. 5 |
|
|
|
|
|
|
Altri autori (Persone) |
|
KapteijnsLidwien |
RichtersJ. M <1945-> (Johanna Maria) |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Violence - Social aspects - Africa |
Political violence - Social aspects - Africa |
War and society - Africa |
Collective memory - Africa |
Africa History 1960- |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Making memories of Mogadishu in Somali poetry about the civil war / Lidwien Kapteijns -- The road, the song and the citizen : singing after violence in KwaZulu-Natal / Liz Gunner -- Maisha bora, kwa nani? A cool life, for whom? Mediations of masculinity, ethnicity, and violence in a Nairobi slum / Naomi van Stapele -- Testimonies of suffering and recasting the meanings of memories of violence in post-war Mozambique / Victor Igreja -- Suffering and healing in the aftermath of war and genocide in Rwanda : mediations through community-based sociotherapy / Annemiek Richters -- "The balsak in the roof " : bush war experiences and mediations as related by white South African conscripts / Diana Gibson. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This book analyses the violence of recent African wars from the perspectives of African people who experienced and witnessed it. Central to it are the words of (male) Somali poets, Zulu singers, impoverished Kenyan youth, and white South African war veterans, as |
|
|
|
|