1.

Record Nr.

UNINA9910785669303321

Autore

Gomel Elana

Titolo

Postmodern science fiction and temporal imagination / Elana Gomel

Pubbl/distr/stampa

New York, : Continuum, 2010

ISBN

1-4725-4273-8

1-282-76578-7

9786612765780

1-4411-7883-X

Descrizione fisica

1 online resource (190 p.)

Collana

Continuum literary studies

Disciplina

809.3/8762

Soggetti

Science fiction - History and criticism

Time in literature

Postmodernism (Literature)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (pages [165]-174) and index

Nota di contenuto

Introduction: Time enough for world -- Time machines: H.G. Wells and the invention of postmodernity -- Strangled by the time loop: paradoxes of determinism -- 'My name is might-have-been': contingency, counterfactuals and moral choice -- Everyday apocalypse: the ethics and aesthetics of the end of time -- Conclusion: Beyond millennium

1. Introduction: World Enough and Time -- 2. The Times Machines -- 3. Strangled by a Time Loop: Paradoxes of Determinism -- 4. The Garden of History: The Branching Paths of Contingency -- 5. Everyday Apocalypse: The Ethics and Aesthetics of the End of Time -- 6. Conclusion -- Bibliography -- Index

Sommario/riassunto

Are we living in a post-temporal age? Has history come to an end? This book argues against the widespread perception of postmodern narrativity as atemporal and ahistorical, claiming that postmodernity is characterized by an explosion of heterogeneous narrative "timeshapes" or chronotopes. Chronological linearity is being challenged by quantum physics that implies temporal simultaneity; by evolutionary theory that charts multiple time-lines; and by religious and political millenarianism that espouses an apocalyptic finitude of both time and space. While



science, religion, and politics have generated new narrative forms of apprehending temporality, literary incarnations can be found in the worlds of science fiction. By engaging classic science-fictional conventions, such as time travel, alternative history, and the end of the world, and by situating these conventions in their cultural context, this book offers a new and fresh perspective on the narratology and cultural significance of time.