1.

Record Nr.

UNINA9910785507603321

Autore

Martínez Ernesto

Titolo

On Making Sense [[electronic resource] ] : Queer Race Narratives of Intelligibility

Pubbl/distr/stampa

Palo Alto, : Stanford University Press, 2012

ISBN

0-8047-8401-9

Descrizione fisica

1 online resource (217 p.)

Collana

Stanford studies in comparative race and ethnicity

Disciplina

810.9/920664

810.9920664

Soggetti

Sexual minorities' writings, American - History and criticism

Gay people's writings, American - History and criticism

American literature - History and criticism - Minority authors

Sexual minorities in literature

Homosexuality in literature

Race in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di contenuto

Contents; Acknowledgments; Introduction: On the Practice and Politics of Intelligibility; 1. Morrison and Butler on Language and Knowledge; 2. Dying to Know in Baldwin's Another Country; 3. Queer Latina/o Migrant Labor; 4. Shifting the Site of Queer Enunciation; 5. Cho's Faggot Pageantry; Notes; Bibliography; Index

Sommario/riassunto

On Making Sense juxtaposes texts produced by black, Latino, and Asian queer writers and artists to understand how knowledge is acquired and produced in contexts of racial and gender oppression. From James Baldwin's 1960's novel Another Country to Margaret Cho's turn-of-the-century stand-up comedy, these works all exhibit a preoccupation with intelligibility, or the labor of making sense of oneself and of making sense to others. In their efforts to "make sense," these writers and artists argue against merely being accepted by society on society's terms, but articulate a desire to confront epistemic injustice--an injustice that affects people in their capacity as knowers and as communities worthy of being known. The book speaks directly to critical developments in feminist and queer studies, including the



growing ambivalence to antirealist theories of identity and knowledge. In so doing, it draws on decolonial and realist theory to offer a new framework to understand queer writers and artists of color as dynamic social theorists.