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Record Nr. |
UNINA9910785367103321 |
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Titolo |
Bauhaus construct : fashioning identity, discourse and modernism / / edited by Jeffrey Saletnik and Robin Schuldenfrei |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2009 |
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ISBN |
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1-135-25257-2 |
1-135-25258-0 |
1-282-89873-6 |
9786612898730 |
0-203-86867-6 |
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Descrizione fisica |
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1 online resource (289 p.) |
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Altri autori (Persone) |
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SaletnikJeffrey |
SchuldenfreiRobin |
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Disciplina |
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Soggetti |
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Art, German - 20th century |
Design - Germany - History - 20th century |
Avant-garde (Aesthetics) - Germany - History - 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Title; Copyright; Contents; Contributors; Acknowledgments; Introduction; Part 1 Agents; Chapter 1 The Bauhaus Manifesto Postwar to Postwar: From the Street to the Wall to the Radio to the Memoir; Chapter 2 The Irreproducibility of the Bauhaus Object; Chapter 3 The Disappearing Bauhaus: Architecture and its Public in the Early Federal Republic; Chapter 4 Pedagogic Objects: Josef Albers, Greenbergian Modernism, and the Bauhaus in America; Part 2 Transference; Chapter 5 A Refuge for Script: Paul Klee's "Square Pictures"; Chapter 6 Lyonel Feininger's Bauhaus Photographs |
Chapter 7 Excavating Surface: On the Repair and Revision of László Moholy-Nagy's Z VII (1926)Chapter 8 Picturing Sculpture: Object, Image and Archive; Part 3 Object Identity; Chapter 9 Designing Men: New Visions of Masculinity in the Photomontages of Herbert Bayer, Marcel Breuer, and László Moholy-Nagy; Chapter 10 The Bauhaus Object between Authorship and Anonymity; Chapter 11 The Identity of Design as Intellectual Property; Coda; Bauhaus Endgame: Ambiguity, Anxiety, |
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and Discomfort; Illustration credits; Index |
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Sommario/riassunto |
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Reconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school's history, this volume positions art objects of the Bauhaus within the theoretical, artistic, historical, and cultural concerns in which they were produced and received. Contributions from leading scholars writing in the field today - including Frederic J. Schwartz, Magdalena Droste, and Alina Payne - offer an entirely new treatment of the Bauhaus. Issues such as art and design pedagogy, the practice of photography, copyright law, and critical theory are discussed. Thr |
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