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1. |
Record Nr. |
UNIBAS000004529 |
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Autore |
Livius, Titus <59 a.C.-17> |
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Titolo |
Storia di Roma / Livio ; Introduzione, traduzione e note di Guido Reverdito ; con un saggio di Emilio Pianezzola |
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Pubbl/distr/stampa |
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ISBN |
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88-11-58419-188-11-58479-588-11-58519-888-11-58530-988-11-58542-2 |
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Descrizione fisica |
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Collana |
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I grandi libri Garzanti ; 878 |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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<<Vol. 1.:>> Libri 1.-2.: Dai Re alla Repubblica.- 1990.- LVIII, 417 p. <<Vol. 2.:>> Libri 3.-4.: Lotte civili e conquiste militari.- 1992.- LVIII, 430 p. <<Vol. 3.:>> Libri 5.-6.: Il sacco di Roma e le lotte per il Consolato.- LVIII, 358 p. <<Vol. 4.:>> Libri 7.-8.: Il conflitto con i Sanniti.- 1994.- LVIII, 307 p. <<Vol. 5.:>> Libri 9.-10.: Il trionfo sui Sanniti.- 1994.- LVIII, 347 p. |
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2. |
Record Nr. |
UNINA9910785207003321 |
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Autore |
Gaiger Jason |
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Titolo |
Aesthetics and painting / / Jason Gaiger |
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Pubbl/distr/stampa |
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London ; ; New York : , : Continuum, , 2008 |
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ISBN |
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1-4411-5458-2 |
1-4725-4538-9 |
1-282-87093-9 |
9786612870934 |
1-4411-0364-3 |
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Descrizione fisica |
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1 online resource (205 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Aesthetics |
Painting - Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (pages 144-173) and index. |
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Nota di contenuto |
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Painting and philosophy -- A window onto the world -- Surface and subject -- Resemblance and denotation -- Pictorial style -- Modernism and the avant-garde. |
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Sommario/riassunto |
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Aesthetics and Painting introduces and opens up current debates and ideas in the aesthetics of painting. At the book's center is an investigation of the complex relationship between what a painting depicts and the means by which it is depicted. The book looks at: how and why painting may be distinguished from other art forms; the relationship between the painted surface and the depicted subject; the "rules of representation" specific to painting; abstract art and nonrepresentational painting; the most recent technological and aesthetic developments and their implications; the role of the artist-and that of the spectator. A sophisticated treatment of major ideas in art and philosophy, Aesthetics and Painting remains highly readable throughout, offering a clear and coherent account of the nature of painting as an art form |
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