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1. |
Record Nr. |
UNINA9910462795703321 |
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Autore |
Holley Joe |
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Titolo |
Slingin' Sam [[electronic resource] ] : the life and times of the greatest quarterback ever to play the game / / by Joe Holley ; foreword by Peyton Manning |
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Pubbl/distr/stampa |
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Austin, : University of Texas Press, 2012 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (369 p.) |
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Disciplina |
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Soggetti |
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Football players - United States |
Quarterbacks (Football) - United States |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Machine generated contents note: Foreword by Peyton Manning -- Acknowledgments -- Prologue -- Introduction -- Chapter 1. Sam Baugh: The Beginning -- Chapter 2. Dutch Meyer: Short, Safe, Sure -- Chapter 3. 1934: The Baugh Era at TCU Begins -- Chapter 4. 1935: That Championship Season -- Chapter 5. George Preston Marshall: Football Impresario -- Chapter 6. Marshall's Redskins: Boston Born but D.C. Bound -- Chapter 7. 1936: Baugh's Senior Year at TCU -- Chapter 8. 1937: Slingin' Sam Chooses a Career -- Chapter 9. The 1937 Season: Baugh and the Redskins Debut in Washington -- Chapter 10. The 1937 NFL Championship: Slaying the Monsters of the Midway -- Chapter 11. Cardinal Sam? Baugh Tries the Major Leagues -- Chapter 12. The 1938 and 1939 Redskins: Giant Victims -- Chapter 13. The 1940 NFL Championship: The Monsters' Revenge000 -- Chapter 14. Go West, Young Sam: Hollywood Calling -- Chapter 15. The Newest Thing under Heaven: The Double Mountain Ranch -- Chapter 16. 1941: A Lackluster Season and a Day of Infamy -- Chapter 17. The 1942 Season: Avenging 73-0 -- Chapter 18. 1943: A Baugh Trifecta and Another Championship Lost -- Chapter 19. 1944 and 1945: Yet Another Missed Championship and the End of an Era -- Chapter 20. The 1946 and 1947 Seasons: The Dismal Years Begin000 -- Chapter 21. 1948-1952: |
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Last Years with the Redskins -- Chapter 22. A Rancher Coaching Cowboys: Baugh at Hardin-Simmons University -- Chapter 23. Back to the Pros: Coaching the Titans and the Oilers -- Chapter 24. Ranching, Rodeoing, and Golfing: Sam in Retirement -- Notes -- Bibliography -- Index. |
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"Dan Jenkins calls Baugh "the greatest quarterback who ever lived, college or pro." Even though he played for the Washington Redskins mostly in the pre-TV era (1937-1952), he is still remembered and revered by fans, who consistently name him as the former player they would most like to see back in the game. Baugh was one of the first inductees into the Pro Football Hall of Fame. A living link between the leather-helmet era and the modern, Baugh spread the field, opened up the game, and made the forward pass a strategic weapon, not a desperation heave. He made quarterback the glamour position, which means that Peyton Manning, Tony Romo, Tom Brady, and all the other football field generals since Baugh are in his debt"-- |
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2. |
Record Nr. |
UNINA9910785191503321 |
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Autore |
Penyeh Tsao |
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Titolo |
Tradition and Change in the Performance of Chinese Music [[electronic resource]] |
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Pubbl/distr/stampa |
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Hoboken, : Taylor and Francis, 2012 |
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ISBN |
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1-136-65194-2 |
9786610152285 |
0-203-98565-6 |
0-203-06609-X |
1-280-15228-1 |
1-136-65201-9 |
90-5755-040-7 |
1-283-83777-3 |
1-135-29339-2 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (100 p.) |
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Disciplina |
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Soggetti |
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Instrumental music |
Music, Chinese |
Vocal music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Tradition and Change in the Performance of Chinese Music Part I; Contents; Copyright; Guest Editor's Preface; Romanization and Pronunciation; Chinese Musical Instruments; Articles; 'The Running Waters': Traditional Chinese Instrumental Music; The Music Associations of Hebei Province; Han Folk Song in China; Nuo-Culture and Music: Traces of Chinese Primitive Music in Nuoyi and Nuoxi; Taoist Ritual Music in China; Notes on Contributors; Index |
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Sommario/riassunto |
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More than five thousand years of rich cultural history have made Chinese music an immensely sophisticated, multi-faceted artistic phenomenon that consists of diverse regional and transregional traditions.The present volumes bring together ten articles written mainly by native scholars, with the general aim of introducing a dialogue about Chinese music from the viewpoint of the insider. |
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3. |
Record Nr. |
UNINA9910758498603321 |
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Titolo |
Digitale Autor:innenschaft : Praktiken und Politiken schriftstellerischer Selbstinszenierung / / hrsg. von Paul Wolff |
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Pubbl/distr/stampa |
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Bielefeld : , : transcript Verlag, , [2023] |
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©2023 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (276 p.) |
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Collana |
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Literatur in der digitalen Gesellschaft ; ; 7 |
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Disciplina |
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Soggetti |
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LITERARY CRITICISM / General |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Inhalt -- Einleitung: Digitale Autor:innenschaft -- Ökonomien digitaler Autor:innenschaft -- Produzieren um jeden Preis, Autor:innenschaft am eigenen Leib -- Dies ist keine Kunst -- Inszenierte Intimität -- Intimes Schreiben? -- WHEN I TYPE ABOUT SOMETHING THAT FEELS SHITTY TO ME -- Publizieren/Performen -- Wer ist digitale Autor:in und wie? -- Der Rhythmus der Twitter-Prosa -- Lese- und Schreibperformances -- Lesungen live und für immer -- Politiken digitaler Autor:innenschaft -- Elfriede Jelineks digitale Autor:innenschaft -- Politische Autor:innenschaft auf und mit Twitter -- Naturschutz und Autismus -- Autor:innenverzeichnis |
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Sommario/riassunto |
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Im digitalen Zeitalter rücken Autor:innen auf neue Weise in den Fokus der literarischen Öffentlichkeit: Wollen sie erfolgreich sein, müssen sie auch (sich selbst) performen. Die Beiträger:innen fragen nach den Funktionen und Erscheinungsformen auktorialer Performanz in Weblogs, Social Media und auf anderen digitalen Bühnen, die im Zuge der Covid-Pandemie einen Boom erlebten. Neben den ökonomischen Zusammenhängen interessieren sie sich insbesondere für die politische Dimension digitaler Selbstinszenierung und decken damit eine neuartige Komplexität moderner Schriftsteller:innen auf. |
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