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Record Nr. |
UNINA9910785084203321 |
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Autore |
Schwartz Roberta Freund |
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Titolo |
How Britain got the blues [[electronic resource] ] : the transmission and reception of American blues style in the United Kingdom / / Roberta Freund Schwartz |
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Pubbl/distr/stampa |
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Aldershot, England ; ; Burlington, VT, : Ashgate, c2007 |
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ISBN |
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1-315-58713-0 |
1-317-12094-9 |
1-317-12093-0 |
1-281-20852-3 |
9786611208523 |
0-7546-8720-1 |
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Descrizione fisica |
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1 online resource (282 p.) |
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Collana |
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Ashgate popular and folk music series |
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Disciplina |
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Soggetti |
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Blues (Music) - Great Britain - History and criticism |
Blues (Music) - Influence |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [247]-259) and index. |
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Nota di contenuto |
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Jazz reception in Britain : misunderstandings and recordings in exile -- The first time I met the blues : blues arrives in Britain -- 1953-1957 : the problem of the new -- 1957-1962 : the blues revival, part I -- London : the new Chicago! : the R&B boom of 1963-1965 -- Blues at the crossroads : the British blues revival part III, 1965-1970. |
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Sommario/riassunto |
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This book explores how, and why, the blues became a central component of English popular music in the 1960's. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. |
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