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1. |
Record Nr. |
UNISA990000890520203316 |
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Titolo |
Italian landscapes = paesaggi italiani / Xing |
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Pubbl/distr/stampa |
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Roma : Luca Sossella, copyr. 2001 |
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ISBN |
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Descrizione fisica |
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Collana |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910139723803321 |
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Titolo |
A new companion to the Gothic [[electronic resource] /] / edited by David Punter |
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Pubbl/distr/stampa |
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Malden, Mass., : Wiley-Blackwell, 2012 |
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ISBN |
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1-4443-5493-0 |
1-118-39617-0 |
1-78268-543-X |
1-283-43570-5 |
9786613435705 |
1-4443-5495-7 |
1-4443-5492-2 |
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Descrizione fisica |
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1 online resource (549 p.) |
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Collana |
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Blackwell companions to literature and culture ; ; 79 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Horror tales, English - History and criticism |
Gothic revival (Literature) - English-speaking countries |
Psychoanalysis and literature - English-speaking countries |
Horror tales, American - History and criticism |
Psychological fiction - History and criticism |
Ghost stories - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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pt. 1. Gothic backgrounds -- pt. 2. The original Gothic -- pt. 3. Nineteenth- and twentieth-century transformations -- pt. 4. Gothic theory and genre -- pt. 5. The globalization of Gothic -- pt. 6. The continuing debate. |
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Sommario/riassunto |
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The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on 'Global Gothic' reflects the direction Gothic criticism has taken over the last decade. Many of the original essays have been revised to reflect current debates Offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned Features important and original essays by leading scholars in the field |
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3. |
Record Nr. |
UNINA9910785010303321 |
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Autore |
Levine Alison J. Murray (Alison Joan Murray), <1968-> |
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Titolo |
Framing the nation : documentary film in interwar France / / Alison J. Murray Levine |
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Pubbl/distr/stampa |
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New York : , : Continuum, , 2010 |
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ISBN |
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1-4411-6922-9 |
1-62892-872-7 |
1-282-55212-0 |
9786612552120 |
1-4411-6986-5 |
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Descrizione fisica |
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1 online resource (238 p.) |
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Disciplina |
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Soggetti |
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Documentary films - Social aspects - France - History - 20th century |
Documentary films - France - History and criticism |
France History 20th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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1. An Introduction -- 2. Truth Peddling: Documentary Film in Interwar France -- 3. "The Revolt of the Beets": Educational Film in Rural France -- 4. "Model Native Villages:" Educational Film in the French Colonies -- 5. "Mysterious and Subtle Cheesemaking": Filming Rural France -- 6. "Carcasses of Manioc-Eaters": Filming Colonial France -- 7. Conclusion: Recycling Rural Images - The Vichy Propaganda Machine -- |
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Sommario/riassunto |
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Framing the Nation: Documentary Film in Interwar France argues that, between World Wars I and II, documentary film made a substantial contribution to the rewriting of the French national narrative to include rural France and the colonies. The book mines a significant body of virtually unknown films and manuscripts for their insight into revisions of French national identity in the aftermath of the Great War. From 1918 onwards, government institutions sought to advance social programs they believed were crucial to national regeneration. They turned to documentary film, a new form of mass communication, to do so. Many scholars of French film state that the French made no significant contribution to documentary film prior to the Vichy period. |
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Using until now overlooked films, Framing the Nation refutes this misconception and shows that the French were early and active believers in the uses of documentary film for social change - and these films reached audiences far beyond the confines of commercial cinema circuits in urban areas. |
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