| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910784823903321 |
|
|
Titolo |
The couch and the silver screen : psychoanalytic reflections on European cinema / / edited by Andrea Sabbadini |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Hove, East Sussex ; ; New York : , : Brunner-Routledge, , 2003 |
|
|
|
|
|
|
|
ISBN |
|
1-135-44451-X |
0-203-01391-3 |
1-280-05991-5 |
1-135-44452-8 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (xx, 258 pages) |
|
|
|
|
|
|
Collana |
|
New library of psychoanalysis ; ; 44 |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Mass Media |
Behavioral Disciplines and Activities |
Audiovisual Aids |
Communications Media |
Teaching Materials |
Educational Technology |
Information Science |
Technology |
Technology, Industry, and Agriculture |
Psychoanalytic Interpretation |
Motion Pictures |
Music, Dance, Drama & Film |
Film |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Bibliographic Level Mode of Issuance: Monograph |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and indexes. |
|
|
|
|
|
|
Nota di contenuto |
|
part, Set and stage -- chapter INTRODUCTION / Andrea Sabbadini -- chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE / BERNARDO BERTOLUCCI FIONA SHAW -- chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie Juliet Stevenson Helen Taylor Robinson -- |
|
|
|
|
|
|
|
|
|
|
part, Working through trauma -- chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) / NANNI MORETTI PAOLA GOLINELLI -- chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s Kissing Buba (2001) JED SEKOFF / Jed Sekoff -- chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) / Annegret Mahler-Bungers -- chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- part, Horror perspectives -- chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA / Steven Jay Schneider -- chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development / Donald Campbell -- chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) / Candy Aubry -- chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) / Michael Grant -- part, Documenting internal worlds -- chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted Helen Taylor Robinson -- chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) / Elizabeth Cowie -- chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ / Ljiljana Filipovic´ -- chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) / EMANUEL BERMAN TIMNA ROSENHEIMER -- chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions / Hugh Brody Michael Brearley. |
|
|
|
|
|
| |