1.

Record Nr.

UNINA9910784819603321

Titolo

Catholics in the movies [[electronic resource] /] / edited by Colleen McDannell

Pubbl/distr/stampa

Oxford ; ; New York, : Oxford University Press, 2008

ISBN

1-281-16323-6

9786611163235

0-19-804184-5

1-4356-1787-8

Descrizione fisica

1 online resource (377 p.)

Altri autori (Persone)

McDannellColleen

Disciplina

791.43/68282

Soggetti

Catholics in motion pictures

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Why the movies? why religion? / Colleen McDannell -- The silent social problem film : regeneration (1915) / Judith Weisenfeld -- Boys to men : Angels with dirty faces (1938) / Thomas J. Ferraro -- Jews and Catholics converge : the song of Bernadette (1943) / Paula M. Kane -- America's favorite priest : Going my way (1944) / Anthony Burke Smith -- God and guns : Seven cities of gold (1955) / Theresa Saunders -- Life on the frontier : Lilies of the field (1963) / Jeffrey Marlett -- Praying for stones like this : The Godfather trilogy (1972, 1974, 1990) / Carlo Rotella -- Catholic horror :The exorcist (1973) / Colleen McDannell -- Cops, priests, and the decline of Irish America : True confessions (1981) / Timothy J. Meagher -- Worldly Madonna : entertaining angels : the Dorothy Day story (1996) / Tracy Fessenden -- Border saints : Santitos (1997) / Darryl V. Caterine -- Catholicism wow! : Dogma (1999) / Amy Frykholm -- Votive offering : The Passion of the Christ (2004) / Colleen McDannell.

Sommario/riassunto

Catholicism was all over movie screens in 2004. Mel Gibsons The Passion of the Christ was at the center of a media firestorm for months. A priest was a crucial character in the Academy Award-winning Million Dollar Baby. Everyone, it seemed, was talking about how religious stories should be represented, marketed, and received. Catholic



characters, spaces, and rituals have been stock features in popular films since the silent era. An intensely visual religion with a well-defined ritual and authority system, Catholicism lends itself to the drama and pageantry of film. Moviegoers watch as Catholic