1.

Record Nr.

UNINA990000724000403321

Autore

Farneti, Fauzia

Titolo

Terra del sole, città fortezza rinascimentale : appunti per un metodo di lettura storica del territorio / F. Farneti, G. L. Ricci, S. Van Riel

Pubbl/distr/stampa

Firenze : Teorema edizioni, 1974

Descrizione fisica

172 p. : ill. ; 22 cm

Collana

Storia e dibattito architettonico ; 12

Locazione

FARBC

DARST

Collocazione

ARCH.MI B 7

19.556

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910456410703321

Autore

Gendron Richard

Titolo

The leftmost city [[electronic resource] ] : power and progressive politics in Santa Cruz / / Richard Gendron and G. William Domhoff

Pubbl/distr/stampa

Boulder, CO, : Westview Press, c2009

ISBN

0-429-49634-6

1-283-09439-8

9786613094391

0-7867-2746-2

Descrizione fisica

1 online resource (257 p.)

Altri autori (Persone)

DomhoffG. William

Disciplina

320.9794/71

320.979471

Soggetti

Political participation - California - Santa Cruz

Political activists - California - Santa Cruz

Coalitions - California - Santa Cruz

Coalitions

Progressivism (United States politics)

Electronic books.

Santa Cruz (Calif.) Politics and government

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

CONTENTS; TABLES AND MAPS; ACKNOWLEDGMENTS; 1 THE LEFT MOST CITY IN AMERICA; 2 THE RISE AND DECLINE OF THE SANTA CRUZ GROWTH COALITION; 3 THE REBIRTH AND DEFEAT OF THE SANTA CRUZ GROWTH COALITION; 4 THE PROGRESSIVE COALITION IN POWER: 1981-1989; 5 SHAKING UP THE POWER STRUCTURE; 6 PROGRESSIVES VERSUS PROGRESSIVES OVER GROWTH AND NEIGHBORHOODS; 7 FAULT LINES OF POWER; REFERENCES; INDEX

Sommario/riassunto

Employs an extended case study of the unique city of Santa Cruz, California, to critique three theories of urban power and show how progressive coalitions can effectively organize to achieve political power



3.

Record Nr.

UNINA9910784572603321

Autore

La Grange Ashley

Titolo

Basic critical theory for photographers / / Ashley la Grange

Pubbl/distr/stampa

Oxford : , : Focal Press, an imprint of Elsevier, , 2005

ISBN

1-136-09013-4

1-136-09014-2

1-280-75429-X

9786610754298

0-08-046838-1

Edizione

[1st edition]

Descrizione fisica

1 online resource (278 p.)

Disciplina

770

770.1

Soggetti

Photographic criticism

Photography - Philosophy

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front Cover; Basic Critical Theory for Photographers; Copyright Page; Contents; How to use this book; Frontispiece; Foreword; Acknowledgements; 1. John Berger, Ways of Seeing; 2. John Szarkowski, The Photographer's Eye and Stephen Shore, The Nature of Photographs; 3. Susan Sontag, On Photography; 4. Roland Barthes, Camera Lucida; 5. Martha Rosler, In, Around and Afterthoughts (On Documentary Photography); 6. Abigail Solomon-Godeau, Inside/Out; 7. Clive Scott, The Spoken Image: Photography and Language; 8. Andy Grundberg, The Crisis of the Real; 9. Raghubir Singh, River of Colour

10. Bertrand Russell, Appearance and Reality11. Italo Calvino, The Adventures of a Photographer; 12. Poems by Felix Morisseau-Leroy and George Szirtes; 13. Robert Adams', John Baldessari's and Peter Godwin's Analysis of Particular Photographs; Figures; Bibliography; Appendixes; Glossary; Index

Sommario/riassunto

Basic Critical Theory for Photographers generates discussion, thought and practical assignments around key debates in photography. Ashley la Grange avoids the trap of an elitist and purely academic approach to critical theory, taking a dual theoretical and practical approach when



considering the issues. Key critical theory texts (such as Sontag's 'On Photography' and Barthes' 'Camera Lucida') are clarified and shortened. La Grange avoids editorilising, letting the arguments develop as the writers had intended; it is the assignments which call into question each writer's approach and promote de