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1. |
Record Nr. |
UNINA9910306648803321 |
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Autore |
Barry Stéphane |
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Titolo |
Épidémies et crises de mortalité du passé / / Dominique Castex, Isabelle Cartron |
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Pubbl/distr/stampa |
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Pessac, : Ausonius Éditions, 2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (243 p.) |
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Altri autori (Persone) |
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Beauvalet-BoutouyrieScarlett |
BlanchardPhilippe |
BouneauChristophe |
CartronIsabelle |
CastexDominique |
ClavandierGaëlle |
DrancourtMichel |
DudayHenri |
GeorgesPatrice |
GualdeNobert |
MinvielleStéphane |
PoullePascal |
SeigneJacques |
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Soggetti |
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Classics |
History |
archéologie funéraire |
anthropologie |
mortalité |
épidémie |
inhumation |
nécropole |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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À partir de plusieurs angles d'analyses, cet ouvrage aborde l'étude des crises brutales de mortalité du passé liées à des épidémies. Le premier concerne la démonstration archéologique d'une crise de mortalité (simultanéité des dépôts). Un autre axe de recherche est l'analyse des ossements en laboratoire qui peut nous éclairer sur la nature des décès : caractéristiques démographiques de l'échantillon exhumé (population sélectionnée) et analyses en biologie moléculaire (détermination de certains pathogènes à l'origine de crises épidémiques). Pour les temps historiques et surtout les plus récents, la compréhension de ces crises va imposer un recours systématique aux données d'archives (travaux en démographies historique, recherche du statut des lieux, investigations de terrain en amont de la fouille). Ce recueil de volets méthodologiques, d'analyses de sites et de synthèses montre la dépendance étroite des recherches historiques et archéologiques, compléments essentiels des études paléobiologiques ; enrichi par une ouverture vers la sociologie de la mort il prouve la nécessité de développer une stratégie de recherche interdisciplinaire dont l'objectif est d'accéder à une meilleure compréhension des crises de mortalité ancienne. |
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2. |
Record Nr. |
UNINA9910784572003321 |
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Titolo |
Understanding digital cinema : a professional handbook / / Charles S. Swartz, editor |
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Pubbl/distr/stampa |
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Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
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ISBN |
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1-136-03634-2 |
1-281-00585-1 |
9786611005856 |
0-08-047044-0 |
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Edizione |
[1st edition] |
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Descrizione fisica |
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1 online resource (353 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Includes bibliographical references and (p. 307-311) and index. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Understanding Digital Cinema: A Professional Handbook; Copyright; Contents; Foreword; Chapter 1 Introduction; Advantages and Challenges of Digital Technology for Motion Pictures; Who Is Working to Develop Specifications and Standards?; Chapter 2 The New Post Production Workflow: Today and Tomorrow; The Traditional Post Production Workflow; The Modern Motion Picture-the New Digital Workflow; Chapter 3 Color in Digital Cinema; "Faithful" and "Pleasing" Reproduction; Film; Digital Cinema; Issues in Color Image Data Representation; Color Gamut; Choice of a Color Coding System |
The Digital IntermediateThe Challenge of Wide-Gamut Reproduction; Acknowledgments; Chapter 4 The Mastering Process; The Process; Capture: Content Ingest; Creative Image Manipulation; Audio Preparation: An Expanded Scope; Related Data Creation; The Future of Mastering; Chapter 5 Compression for Digital Cinema; What Is Compression?; Why Is Compression Needed for Digital Cinema?; Sampling of images; Compression systems for motion pictures; Fundamental concepts; Transforms; Temporal Compression; Compression systems and standards; Intellectual property and licensing; Conclusions |
Chapter 6 Security and PackagingSecurity Primer; The Value of Security in the Supply Chain; Review of Early Fielded Systems; The Next |
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Generation; Design Philosophy; Chapter 7 Audio for Digital Cinema; The Historical View and Opportunity; The Current Status of Cinema Audio; Potential New Features; The Debate-How and Why; The Standards; Channel Maps and Labels: Legacy Channels; Potentials; The Reality; Chapter 8 Digital Cinema Distribution; Content Preparation; Delivery; Security; Digital Asset Management; Digital Archiving; System Overview |
Case Study:Warner Bros. Entertainment Inc. : Proof-of-ConceptChapter 9 Projection; Viewing Characteristics of the Theatre; Projection System Performance Parameters and Measurement Methods; Color; Motion Management; Aspect Ratios Sizing and Lensing; Convergence and Registration; Mechanical Issues; Image Quality: The Reference Projector; Projection System Data Interfaces; Test Materials; Candidate Projection Technologies; Chapter 10 Theatre Systems; System Interoperability; User Requirements; Media Block Architectures; Operations and Maintenance; Workflow; Performance Controls |
Show Play Lists and SchedulesTime Code; Supervisory Controls and Monitoring; Logging Show Operations; Piracy Protection and Security; Content Delivery; Putting A Point To It; Chapter 11 An International Perspective; Europe; Local Initiatives; Europewide Sponsored Projects; Asia; Latin America; Africa & Middle East; Appendix The DC28 Standard; Contributor Biographies; Index |
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Sommario/riassunto |
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UNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management. * An overview of digital cinema system requirements* Post production work flow* Color in digital cinema* The digital cinema mastering process* Fundamental |
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