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1. |
Record Nr. |
UNISA996387966803316 |
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Autore |
Wall John <1588-1666.> |
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Titolo |
Solomon in solio: Christus in ecclesia. Sive Concio Latinè habita ad clerum, termino à Deo solenniter auspicante, in templo B. Mariae Oxon. Maij 1€. 1660 [[electronic resource] /] / A Johanne Wall, S.T.D & ecclesiae Christi Oxon, praebendario |
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Pubbl/distr/stampa |
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Oxoniae, : Excudebat H. Hall, academiæ typographus, impensis R. Davis., 1660 |
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Descrizione fisica |
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Soggetti |
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Sermons, Latin - 17th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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The first leaf is blank. |
Annotation on Thomason copy: "July". |
Reproduction of the original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910784436803321 |
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Autore |
Haines John (John Dickinson) |
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Titolo |
Eight centuries of troubadours and trouvères : the changing identity of medieval music / / John Haines [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2004 |
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ISBN |
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0-511-20857-X |
1-107-14700-X |
1-280-54034-6 |
0-511-21396-4 |
0-511-21575-4 |
0-511-21038-8 |
0-511-31480-9 |
0-511-48181-0 |
0-511-21215-1 |
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Descrizione fisica |
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1 online resource (xii, 347 pages) : digital, PDF file(s) |
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Collana |
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Musical performance and reception |
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Disciplina |
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Soggetti |
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Troubadour songs - History and criticism |
Troubadours |
Trouvères |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The first readers -- The changing song -- Enlightened readers -- The science of translation -- Recent readings -- Conclusions -- Epilogue. |
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Sommario/riassunto |
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This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a |
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compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries. |
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