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1. |
Record Nr. |
UNISA996384251703316 |
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Autore |
Newcastle Margaret Cavendish, Duchess of, <1624?-1674.> |
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Titolo |
Orations of divers sorts, accommodated to divers places [[electronic resource] ] : VVritten by the thrice noble, illustrious, and excellent princess, the lady Marchioness of Newcastle |
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Pubbl/distr/stampa |
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London, : [s.n.], printed anno Dom. 1663 |
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Descrizione fisica |
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Soggetti |
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Great Britain Politics and government 1660-1688 Early works to 1800 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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With four final contents leaves. |
Reproduction of the original in the Durham University Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910784379903321 |
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Autore |
Kipnis Laura |
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Titolo |
Ecstasy unlimited [[electronic resource] ] : on sex, capital, gender, and aesthetics / / Laura Kipnis ; foreword by Paul Smith |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, c1993 |
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ISBN |
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Descrizione fisica |
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1 online resource (334 p.) |
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Disciplina |
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Soggetti |
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Aesthetics |
Political culture - United States |
Popular culture - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [295]-301) and index. |
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Nota di contenuto |
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Contents; Foreword; Acknowledgments; Videotape Distribution Information; 1. Introduction: Crossing the Theory/Practice Rubicon; 2. Repossessing Popular Culture; 3. Ecstasy Unlimited: The Interpenetrations of Sex and Capital (1985); 4. Looks Good on Paper: Marxism and Feminism in a Postmodern World; 5. A Man's Woman (1987); 6. ""The Phantom Twitchings of an Amputated Limb"": Colonialism as a Female Disease; 7. Aesthetics and Foreign Policy; 8. (Male) Desire and (Female) Disgust: Reading Hustler; 9. Marx: The Video: A Politics of Revolting Bodies (1990); Notes; Index |
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Sommario/riassunto |
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A unique collection of essays on popular culture, politics, aesthetics, feminism, and postmodernism, along with complete scripts from three of Kipnis' videotapes. |
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