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Record Nr. |
UNISA996383937503316 |
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Autore |
Sprat Thomas <1635-1713.> |
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Titolo |
A true account and declaration of the horrid conspiracy against the late King, his present Majesty, and the government [[electronic resource] ] : as it was order'd to be publish'd by His late Majesty |
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Pubbl/distr/stampa |
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[London], : In the Savoy : printed by Thomas Newcomb, one of His Majesties printers, 1686 |
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Edizione |
[The third edition.] |
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Descrizione fisica |
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[7], 221 p., [1] folded leaf of plates : plan |
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Soggetti |
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Rye House Plot, 1683 |
Great Britain History Charles II, 1660-1685 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First leaf = order to print, dated 23 May 1685. |
Caption title on p. 1 reads: A true account of the horrid conspiracy against the late King, His present Majesty, and the government. |
Reproduction of the original in the British Library. |
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2. |
Record Nr. |
UNINA9910784379203321 |
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Autore |
Smith Paul <1954 Nov. 23-> |
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Titolo |
Clint Eastwood : a cultural production / / Paul Smith |
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Pubbl/distr/stampa |
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Minneapolis : , : University of Minnesota Press, , 1993 |
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©1993 |
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ISBN |
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Descrizione fisica |
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1 online resource (xvii, 292 pages) : illustrations |
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Collana |
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Disciplina |
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791.43/028/092 |
791.43028092 |
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Soggetti |
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Motion pictures - Social aspects - United States |
Popular culture - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (p. 283-287) and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction; Subaltern Spaghetti; Genre; Restitution; At the Smithsonian; Homesteaders; Misogyny; Just Entertainment; The Opposite of Fascism; Pauline's Knee, Harry's War; Amongst Men; ''Who Knows? Maybe It Was You""; Gay Subtext; Eastwood Bound; Burlesque Body; Lethal Weapons; Drugs; Servicemen; Performance and Identification; The Meaning of Black; Auteur-Father; Coda; Notes; Bibliography; Index |
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Sommario/riassunto |
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The first full-length study of Clint Eastwood (or any contemporary figure in film) that not only interprets and critiques his films but demonstrates their complex and problematic relationship to American culture. |
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