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1. |
Record Nr. |
UNISA996384496403316 |
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Autore |
Jones Andrew |
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Titolo |
The black book of conscience, or, God's high court of iustice in the soul [[electronic resource] ] : wherein the truth and sincerity, the deceit and hypocrisie of every mans heart and ways is judged and discovered by their consciences : very seasonable for these times wherein wicked men, under pretence of liberty of conscience, take liberty to sin and blaspheme / / by Andrew Iones |
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Pubbl/distr/stampa |
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London, : Printed for Eliz. Andrews, 1663 |
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Edizione |
[The 22th edition.] |
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Descrizione fisica |
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Soggetti |
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Liberty of conscience - England |
Conscience |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Reproduction of original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910784374003321 |
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Autore |
O'Dell Kathy |
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Titolo |
Contract with the skin : masochism, performance art, and the 1970s / / Kathy O'Dell |
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Pubbl/distr/stampa |
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Minneapolis : , : University of Minnesota Press, , 1998 |
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©1998 |
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ISBN |
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Descrizione fisica |
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1 online resource (xiv, 128 pages, 32 unnumbered pages of plates) : illustrations |
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Disciplina |
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Soggetti |
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Performance art |
Masochism in art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (p. 111-122) and index. |
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Nota di contenuto |
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CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; 1 HE GOT SHOT; 2 HIS MOUTH/HER SKIN; 3 MY MIRROR; 4 THEIR BEDS; 5 HOME AGAIN; 6 CONCLUSION; NOTES; SELECTED BIBLIOGRAPHY; INDEX |
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Sommario/riassunto |
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Focusing on 1970's performance artists Vito Acconci, Chris Burden, Gina Pane, and collaborators Marina Abramovi`c/Ulay as well as those with similar sensibilities from the late 1980's onward (Bob Flanagan, David Wojnarowicz, Simon Leung, Catherine Opie, Ron Athey, Lutz Bacher, and Robby Garfinkel), O'Dell provides photographic documentation of performances and quotations from interviews with many of the artists. Throughout, O'Dell asks what we can do about the institutionalized forms of masochism for which these performances are metaphors. |
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