1.

Record Nr.

UNINA9910784143003321

Autore

Traber Daniel S

Titolo

Whiteness, otherness, and the individualism paradox from Huck to Punk [[electronic resource] /] / by Daniel S. Traber

Pubbl/distr/stampa

New York, : Palgrave Macmillan, 2007

ISBN

1-281-36354-5

9786611363543

0-230-60357-2

Edizione

[1st ed.]

Descrizione fisica

1 online resource (216 p.)

Disciplina

810.9/353

Soggetti

American literature - History and criticism

Individualism in literature

Individuality in literature

Liberty in literature

Conformity in literature

Dissenters in literature

Marginality, Social, in literature

White people in literature

White people - Race identity - United States

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [185]-199) and index.

Nota di contenuto

Cover; Contents; Acknowledgments; Introduction; 1 "They're after Us!": Criminality and Hegemony in Huckleberry Finn; 2 Stephen Crane and Maggie's White Other; 3 One of None: Quasi-Hybridity in The Sun Also Rises; 4 Back to the Future: Suttree (and The Pioneers); 5 L.A. Punk's Sub-Urbanism; 6 Repo Man, Ambivalence, and the Generic Mediation; 7 Whither Agency?; Notes; Bibliography; Index

Sommario/riassunto

Traber reexamines the practice of self-marginalization in Euro-American literature and popular culture that depict whites adopting varied markers of otherness to disengage from the dominant culture. He draws on critical theory, whiteness and cultural studies to counter an eager correlation between marginality and agency. The nonconformist cultural politics of these border crossings implode since



the transgressive identity the protagonists desire relies upon, is built from, the center's values and definitions. An orthodox notion of individualism underpins each act of sovereignty as it rationalizes exploiting stereotypes of an Other constructed by the center. The work closes by positing a theory of identity based on Jean-Luc Nancy's concept of the emptied self. In recognizing the already mixed quality of being, identity is made a vacuous concept as the standards for determining self and difference become too slippery to hold.