1.

Record Nr.

UNINA9910784126903321

Autore

Webster Jeremy W

Titolo

Performing libertinism in Charles II's court [[electronic resource] ] : politics, drama, sexuality / / Jeremy W. Webster

Pubbl/distr/stampa

New York, : Palgrave Macmillan, 2005

ISBN

1-281-36844-X

9786611368449

1-4039-8028-4

Edizione

[1st ed.]

Descrizione fisica

1 online resource (262 p.)

Disciplina

822.409353

822/.409353

Soggetti

English drama - Restoration, 1660-1700 - History and criticism

Libertinism in literature

Politics and literature - Great Britain - History - 17th century

Sex in literature

Great Britain Court and courtiers History 17th century

Great Britain Politics and government 1660-1688

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Based on the author's thesis (doctoral, University of Tennesee).

Nota di bibliografia

Includes bibliographical references (p. [209]-243) and index.

Nota di contenuto

Cover; Contents; Acknowledgments; 1 Performing Libertinism: An Introduction; 2 Producing Libertine Politics: The Rehearsal; 3 Staging Libertine Conduct: Love in a Wood, The Gentleman Dancing-Master, and The Country Wife; 4 Scripting Libertine Tricksters: The Man of Mode and The Plain Dealer; 5 Enacting Libertine Isolation: Antony and Cleopatra and The Tragedy of Valentinian; 6 Censuring Libertine Sexuality: Sodom; 7 Conclusion; Notes; Bibliography; Index

Sommario/riassunto

Performing Libertinism in Charles II's Court examines the performative nature of Restoration libertinism through reports of libertine activities and texts of libertine plays within the context of the fraternization between George Villiers, Duke of Buckingham, John Wilmot, Earl of Rochester, Sir Charles Sedley, Sir George Etherege, and William Wycherley. Webster argues that libertines, both real and imagined, performed traditionally secretive acts, including excessive drinking,



sex, sedition, and sacrilege, in the public sphere. This eruption of the private into the public challenged a Stuart ideology that distinguished between the nation's public life and the king's and his subjects' private consciences.