|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910784105203321 |
|
|
Titolo |
Framing Latin American cinema [[electronic resource] ] : contemporary critical perspectives / / Ann Marie Stock, editor ; foreword by Ambrosio Fornet |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Minneapolis, : University of Minnesota Press, c1997 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (306 p.) |
|
|
|
|
|
|
Collana |
|
Hispanic issues ; ; v. 15 |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures - Political aspects - Latin America |
Motion pictures - Social aspects - Latin America |
Motion pictures - Latin America |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Contents; Foreword; Acknowledgments; Introduction: Through Other Worlds and Other Times: Critical Praxis and Latin American Cinema; Chapter 1 High-Rise Apartments, Arcades, Cars, and Hoteles de citas: Urban Discourse and the Reconstruction of the Public/Private Divide in 1960's Buenos Aires; Chapter 2 Backwards Blindness: Brazilian Cinema of the 1980's; Chapter 3 Recent Colombian Cinema: Public Histories and Private Stories; Chapter 4 When the Mountains Tremble: Images of Ethnicity in a Transcultural Text; Chapter 5 How Real Is Reel? Fernando de Fuentes's Revolutionary Trilogy |
Chapter 6 Kiss of the Spider Woman, Novel, Play, and Film: Homosexuality and the Discourse of the Maternal in a Third World Prison Chapter 7 Moving to Thought: The Inspired Reflective Cinema of Fernando Pérez; Chapter 8 Román Chalbaud: The ""National"" Melodrama on an Air of Bolero; Chapter 9 The Persistence of Vision: Going to the Movies in Colombia; Chapter 10 Mexican Melodramas of Patriarchy: Specificity of a Transcultural Form; Chapter 11 Queering the Patriarchy in Hermosillo's Doña Herlinda y su hijo |
Chapter 12 Will There Be Latin American Cinema in the Year 2000? Visual Culture in a Post-national Era Contributors; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This illuminating analysis embraces multiple modes of scholarship, juxtaposes feature films and documentaries, and locates cinema within |
|
|
|
|