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1. |
Record Nr. |
UNISA996386863103316 |
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Autore |
Maxwell John <1590?-1647.> |
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Titolo |
The burthen of Issachar: or, The tyrannical power and practices of the Presbyteriall government in Scotland; [[electronic resource] ] : in their [brace] I. Parochiall session. II. Presbyterie. III. Provinciall synods. IV. Generall assembly. With the articles of Presbyterian faith inconsistent with monarchie. Whereby it is evident, that Presbyteriall fingers are heavier than Episcopall loynes; these correcting with a rod, those with a scorpion. And therefore it is not the kingdome and government of Jesus Christ, whose yoake is easie, his burthen light, and his scepter a scepter of righteousnesse |
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Pubbl/distr/stampa |
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[London, : s.n.], Printed in the yeare 1646 |
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Descrizione fisica |
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Soggetti |
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Presbyterianism |
Church and state - Scotland |
Sovereignty |
Divine right of kings |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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An edition of: Maxwell, John. An answer by letter to a worthy gentleman who desired of a divine some reasons by which it might appeare how inconsistent presbyteriall government is with monarchy. Cf. Madan, 1684. |
Place of publication from Wing. |
Annotation on Thomason copy: "May 6th". |
Reproduction of the original in the British Library. |
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2. |
Record Nr. |
UNINA9910784104103321 |
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Autore |
Chanan Michael |
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Titolo |
Cuban cinema [[electronic resource] /] / Michael Chanan |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, c2003 |
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ISBN |
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Descrizione fisica |
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1 online resource (558 p.) |
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Collana |
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Cultural studies of the Americas ; ; 14 |
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Disciplina |
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Soggetti |
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Motion pictures - Cuba - History |
Motion pictures - Social aspects - Cuba |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally published: The Cuban image. London : British Film Institute ; Bloomington, Ind. : Indiana University Press, 1985. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Pt. I. Before the Revolution: cinema at the margins ; 1. For the first time ; 2. Back to the beginning ; 3. The nineteenth-century heritage ; 4. Melodrama and white horses ; 5. Amateurs and militants -- pt. II. The Revolution takes power: a cinema of euphoria ; 6. The coming of socialism ; 7. The first feature films ; 8. Beyond neorealism ; 9. The documentary in the Revolution ; 10. The Revolution in the documentary ; 11. The current of experimentalism ; 12. Four films ; 13. Imperfect cinema and the seventies ; 14. One way or another -- pt. III. New generations: a cinema of readjustment ; 15. Reconnecting ; 16. Return of the popular ; 17. Wonderland. |
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Sommario/riassunto |
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Michael Chanan provides a comprehensive and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cuba's social, political, and cultural history. The only book-length study of Cuban cinema written in English, this indispensable work offers a unique perspective on the Cuban experience in the twentieth century. |
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