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1. |
Record Nr. |
UNICAMPANIAVAN0082508 |
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Titolo |
Areas of the Lagoon of Venice on the official geological map of Italy : sheet 128 "Venezia", sheets 148-149 "Chioggia- Malamocco" / editor Regione Veneto, Direzione geologia ed attività estrattive, Servizio geologia |
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Descrizione fisica |
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98 p. : ill. ; 30 cm + 4 c. geol |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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2. |
Record Nr. |
UNINA9910136536103321 |
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Titolo |
AIEE No 700-1947 : AIEE Standard for Aircraft Direct- Current Apparatus Voltage Ratings / / Institute of Electrical and Electronics Engineers |
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Pubbl/distr/stampa |
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[Place of publication not identified] : , : IEEE, , 1974 |
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Descrizione fisica |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Aircraft Direct-Current Apparatus Voltage Ratings. |
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3. |
Record Nr. |
UNINA9910783994203321 |
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Titolo |
Rethinking third cinema / / edited by Anthony R. Guneratne and Wimal Dissanayake |
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Pubbl/distr/stampa |
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New York ; ; London : , : Routledge, , 2003 |
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ISBN |
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1-134-61323-7 |
0-203-63866-2 |
1-134-61324-5 |
1-280-07963-0 |
0-203-63425-X |
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Descrizione fisica |
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1 online resource (253 p.) |
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Altri autori (Persone) |
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GuneratneAnthony R |
DissanayakeWimal |
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Disciplina |
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Soggetti |
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Motion pictures - Developing countries |
Intercultural communication in motion pictures |
Communication interculturelle au cinéma |
Motion pictures |
Developing countries |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; Contributors; Acknowledgments; Introduction: rethinking Third Cinema; Third Cinema theory and beyond; Beyond Third Cinema: the aesthetics of hybridity; Challenging Third World legacies: issues of gender, culture, and representation; Post-Third-Worldist culture: gender, nation, and thecinema; The erotics of history: gender and transgression in the Asian cinemas; Alternative cinemas in the age of globalization; Authorship, globalization, and the new identity of Latin American cinema: from the Mexican ~ranchera~ to Argentinian ~exile~ |
Video booms and the manifestations of ~first~ cinema in anglophone AfricaThe relocation of culture: social specificity and the ~Third~ question; What's ~oppositional~ in Indonesian cinema?; The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress Moon; Receiving/retrieving Third (World) Cinema: alternative approaches to |
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spectator studies and critical history; Theorizing ~Third World~ film spectatorship: the case ofIran an |
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Sommario/riassunto |
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This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. |
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