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1. |
Record Nr. |
UNINA9910783859903321 |
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Autore |
Rupert Mark |
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Titolo |
Ideologies of globalization : contending visions of a new world order / / Mark Rupert |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2000 |
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ISBN |
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1-134-65824-9 |
1-280-32969-6 |
0-203-17060-1 |
1-134-65825-7 |
0-203-13131-2 |
9786610329694 |
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Descrizione fisica |
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1 online resource (204 pages) |
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Collana |
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RIPE Series in Global Political Economy |
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Disciplina |
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Soggetti |
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Free trade |
Globalization |
International economic relations |
Moral and ethical aspects |
Political aspects |
United States |
United States - Foreign economic relations |
Free trade - Political aspects - United States |
International economic relations - Moral and ethical aspects |
International Commerce |
Commerce |
Business & Economics |
United States Foreign economic relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (pages [166]-181) and index. |
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Nota di contenuto |
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Cover; Ideologies of Globalization; Series editors; Title Page; Copyright Page; Dedication; Table of Contents; Series editors' preface; Foreword; Acknowledgements; 1: Introduction; Social critique and democratizing |
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projects; Toward transformative politics; Plan of the book; 2: Americanism, Fordism,and hegemony; Americanism and world order ideology; Capra's two worlds; Fordism and hegemony; The political ambiguities of Fordism in America; Restructuring capitalism; contesting hegemony; 3: The hegemonic project of liberal globalization; Globalization in question? |
The ideology of liberal globalization: displacing politics from the economyNAFTA and the politics of a depoliticized world economy; Round Two: GATT-WTO; 4: From liberal globalization to global democratization; (Re)politicizing the global economy: NAFTA; GATT; Democracy and the emerging critique of globalization; Globalization and the political economy of gender; Feminist activists challenge neoliberal globalization; Mainstream feminist organizations begin to catch on?; 5: Fear and loathing in the New World Order; Defending American exceptionalism: far-right critiques of globalization |
The conspiratorial world-view: a far-right family resemblanceAmericanism in peril: NAFTA, GATT, and the New World Order; Mainstreaming far-right ideology?; Tensions and possibilities of post-Fordist common sense; 6: Competition or solidarity?; The ambiguities of populism cum conspiracism; Populist Inc.; Reading the new populism: The News Reporter; The decline and rise of Chuck Harder and the new populism; 7: The New World Order; Fear and loathing in reverse: the global power bloc and the new populism; The Asian crisis; Fast Track and stalemate in the US |
Responses to the new populism: "globalization with a human face"Seattle and beyond; A New World Order: (r)evolutionary change?; Notes; 1: Introduction; 2: Americanism, Fordism, and hegemony; 3: The hegemonic project of liberal globalization; 4: From liberal globalization to global democratization; 5: Fear and loathing in the New World Order; 6: Competition or solidarity? The new populism and the ambiguities of common sense; 7: The New World Order: passive revolution or transformative process?; References; Index |
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Sommario/riassunto |
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This book examines the key debates about globalization and provides a detailed and incisive analysis of the varied and often contradictory opposition to globalization within the United States.Subjects covered include:* the historical context of the development of globalization in the US in the post-war period* opposition to the North American Free Trade Agreement (NAFTA), the General Agreement on Trade & Tariffs (GATT) & the World Trade Organisation (WTO)* the nationalist response to globalization from 'militia' groups and others on the extreme right* the populist backl |
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2. |
Record Nr. |
UNINA9910783197303321 |
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Autore |
Zak Albin |
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Titolo |
The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, c2001 |
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ISBN |
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0-520-92815-6 |
1-59734-812-0 |
9786612445729 |
1-282-44572-3 |
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Descrizione fisica |
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1 online resource (279 p.) |
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Disciplina |
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Soggetti |
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Rock music - History and criticism |
Sound recordings - Production and direction |
Sound - Recording and reproducing |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 241-246) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Writing Records -- 2. Tracks -- 3. Sound As Form -- 4. Places And Tools -- 5. Tracking And Mixing -- 6. Engineers And Producers -- 7. Resonance -- Notes -- Glossary -- Engineer And Producer Credits -- Recordings Cited -- Bibliography -- Index |
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Sommario/riassunto |
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After a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work. Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to |
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illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound. |
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