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1. |
Record Nr. |
UNINA9910783830103321 |
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Titolo |
Realignments in Russian foreign policy / / editor, Rick Fawn |
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Pubbl/distr/stampa |
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London ; ; Portland, Or. : , : Frank Cass, , 2003 |
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ISBN |
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1-135-75874-3 |
1-135-75875-1 |
1-280-10388-4 |
0-203-01088-4 |
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Descrizione fisica |
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1 online resource (158 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Russia (Federation) Foreign relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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BOOK COVER; TITLE; COPYRIGHT; CONTENTS; Realignments in Russian Foreign Policy: An Introduction; Post-Soviet Russian Foreign Policy: Between Doctrine and Pragmatism; Russian Foreign Policy and Its Critics; NATO Enlargement and Eastern Opinion; A Bumpy Road to An Unknown Destination? NATO-Russia Relations, 1991-2002; Strategic or Pragmatic Partnership? The European Union's Policy Towards Russia...; Exploitation of the 'Islamic Factor' in the Russo-Chechen Conflict Before and After 11 September 2001 |
The Russo-Chechen Information Warfare and 9/11: Al-Qaeda through the South Caucasus Looking Glass?Russia's Reluctant Retreat from the Caucasus: Abkhazia, Georgia and the US after 11 September 2001; Abstracts; About the Contributors; Index |
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Sommario/riassunto |
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This collection provides international perspectives on the evolution of Russia's foreign relations and analyses official Russian responses to major regional and international developments, including NATO and EU enlargement and the post-September 11 international ""war on terrorism"". |
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2. |
Record Nr. |
UNINA9910286407303321 |
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Autore |
Grosoli Marco |
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Titolo |
Eric Rohmer's Film Theory (1948-1953) / Marco Grosoli |
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Pubbl/distr/stampa |
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Amsterdam University Press, 2018 |
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Amsterdam : , : Amsterdam University Press, , [2017] |
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©2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (301 pages) |
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Collana |
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Film theory in media history |
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Disciplina |
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Soggetti |
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Auteur theory (Motion pictures) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names |
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Sommario/riassunto |
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In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. |
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