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Record Nr. |
UNINA9910783795003321 |
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Autore |
Cohen Mark <1966-> |
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Titolo |
Censorship in Canadian literature [[electronic resource] /] / Mark Cohen |
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Pubbl/distr/stampa |
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Montreal ; ; Ithaca, : McGill-Queen's University Press, c2001 |
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ISBN |
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1-282-85943-9 |
9786612859434 |
0-7735-6937-5 |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Canadian fiction - 20th century - History and criticism |
Censorship in literature |
Censorship - Canada |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di bibliografia |
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Includes bibliographical references (p. [183]-198) and index. |
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Nota di contenuto |
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Introduction : justifying just judgment -- The case against censorship : Timothy Findley -- The ambivalent artist : Margaret Atwood -- In defence of censorship: Margaret Laurence -- The inevitability of censorship: Beatrice Culleton and Marlene Nourbese Philip -- Conclusion : Towards a more "just" judgment. |
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Sommario/riassunto |
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Cohen critiques Timothy Findley's broad anti-censorship position; he traces Margaret Atwood's evolution from implicit support for the censorship of pornography in Bodily Harm to the rejection of censorship in The Handmaid's Tale; and he provides the first detailed study of the draft of Margaret Laurence's unfinished novel, showing the degree to which her final silence was a result of her censorship ordeal. Finally, an analysis of the writing of Beatrice Culleton and Marlene Nourbese Philip shows how different kinds of socio-cultural censorship - from gate-keepers to self-censorship - silence Native and black Canadian voices. Cohen's re-definition of censorship as essentially a practice of judgment takes us beyond the traditional Enlightenment delineation of censorship as an oppressive government practice and the consequent neutralist liberal condemnation of censorship on principle. Since judgment is enmeshed in the fabric of human endeavour, censorship is inevitable; since censorship is inevitable, Cohen |
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